and the tangle of woods beyond. He pours the coffee, spoons in sugar, softens its color with a dollop of milk; he stands at the counter and drinks. Not a bad one, please.
Today is the day they will drive six hours north to see their son, a sophomore in college, lately and totally (or so he says, his voice on the phone as bright as a cork shot from a bottle: totally, Pop) in love. Arthur doesn’t doubt this is the case, and why should he? What the hell? Why not be in love? He sits at the kitchen table, dawn creeping up to his house; he thinks of the long day and the drive through mountains ahead of him, the pleasure he will feel when, his back and eyes sore from hours on the road, he pulls into the dormitory lot and his boy, long legged and smiling and smart, bounds down the stairs to greet them. In the foyer with its bulletin boards and scuffed linoleum and pay phone, the young lady watches them through the dirty glass. Susan? Suzie? Arthur reviews the details. Parents from Boston, JV field hockey first string (again the memory of his son’s voice, brightly laughing: But her ankles aren’t thick, the way they get, you know, Pop?); an English class they took together, Shakespeare or Shelley or Pope, and the way she read a certain poem in class, the thrilling confidence in her voice cementing the erotic bargain between them. (I mean, she looked right at me, Pop, the whole time, I think she had the thing memorized; you should have seen it, the whole class knew!) And Arthur knows what his son is saying to him: Here I am. Look. And Arthur does: Susan or Suzie (Sarah?), fresh from her triumphs of love and smarts in the marbled halls of academe, banging the hard rubber ball downfield on the bluest blue New Hampshire autumn day.
Sounds above: Arthur hears the bedroom door open, his wife’s slippered trudge down the carpeted hall, the mellow groan of the pipes as she fills the basin with water to wash. Arthur pours himself a second cup of coffee and fills a mug for Miriam—extra sugar, no milk—positioning it on the table by the back kitchen stairs. Outside the sky has turned a washed-out gray, like old plastic; a disappointment. For a while Arthur sits at the table and watches the sky, asking it to do better.
Miriam enters, wrapped in her pale-blue robe, and takes the coffee almost without looking, a seamless transaction that always pleases him. She sips, pauses, and sniffs at the mug.
“This is sort of old.”
“I’ve been up awhile,” Arthur says. “I’ll make a fresh pot if you want.”
“No, I’ll do it.” But she doesn’t; she takes a place at the table across from him. Her face is scrubbed, her combed hair pulled back from her face; she does not dye it, allowing the gray to come on without fuss, nor perm it, the way so many women they know have done. Arthur lets his eyes rest there, in the whiteness of the part of her hair, thinking of his dream, a vague disturbance that no longer creates in him any particular emotion, as the widest rings on pond water will lap the shore without effect. (Something about a lake? He no longer recalls.) She holds the cup of old coffee with both hands, like a hot stone to warm them, resting there on the table.
“What time is it?” She yawns. “Is it six-thirty?”
Arthur nods. “I thought we should get an early start. We can stop for lunch at that place in Northampton.”
“Not there.” She shakes her head. “Do you remember the last time? Please. Let’s stop someplace else.”
Arthur shrugs; he doesn’t remember what was wrong with the restaurant. “I thought it was all right,” he says. “We can try that place across the street. Or we can pack a lunch.”
Miriam rises, dumps her mug of coffee down the sink, and begins to make the pot she has promised herself. Arthur watches his wife, full of a great, sad love for her; he knows this day will be hard. Not the drive, which they have made many times; not seeing O’Neil, their son. Arthur understands it is the girl she dreads. She tries to like the girls he likes, but it is always difficult for her.
“We have to be nice, you know.”
Miriam stops rinsing the pot. “Quit reading my mind.”
“Okay. But we do.” Arthur