by age and dust, crystal sconces on the walls, thick swoops of gold brocade—a magician’s stage, a goth bordello. She pulled the curtains open as she passed them, turned on lights and moved past the staircase, into a living room with more animals still. Here there were cats. Cheetahs or leopards maybe, she didn’t know the difference—not tigers, anyway. More than just heads, there were whole bodies posed leaping, posed stalking, streamlined with huge, round eyes and fur that seemed less their own than the coats of the rich black ovals on one, black rings with golden centers on another, the trappings of starlets. She looked closely into a face—the golden eyes, the fangs—then turned away.
The cats were captured forever in the seventies: stone fireplace, sunken lounge area, shag carpet and an L-shaped leather couch. Over the sofa was a lion rampant: its great mane flaring, it reared up, held its front paws in the air as if ready to box. It was either foolish or majestic. She gazed, trying to decide, but her eyes watered as she gazed. The murderer’s eyes watered.
It was the dust, no doubt. They said dust was composed of human epidermal cells, but in this house it was the dust of Africa, she thought. The dust of the flesh of the veldt, the aged, slowly dispersing brawn of the Serengeti.
In a cavernous dining room with dark ceilings, wild dogs and foxes lurked. Here some of the animals had labels, ranging from finely etched brass plaques to a kind of dark-red tape with raised white letters on it that she remembered from the seventies. She leaned in close to read them: a timber wolf in a cabinet with sliding glass doors, an American mink on a sideboard. The teeth were sharp. She hadn’t known minks had such sharp teeth. She kept on into the hallway with a shiver, where she found birds at her shoulders. Birds of prey—hawks, owls, eagles. An owl perched on a branch, an eagle spread its wings over a nest of twigs, a nest full of speckled eggs. A hallway led into a smaller room, a guest bedroom possibly or servant’s quarters, with Tiffany floor lamps shedding a green and yellow light. It was still birds, but they were not so fierce.
She felt slightly relieved: she’d run the gauntlet.
In the small bedroom there was a pink bird that must be a flamingo, standing with one leg lifted gracefully on a mirrored pool. She leaned down to touch the reeds—reeds of glassy plastic, glorified Easter-basket stuffing. Ducks, geese, pheasants. She barely noticed the furnishings, so abundant was the stuffed game. The specimens were labeled now: a line of small plump birds, a mother followed by three tiny stuffed chicks, bore a shiny plaque beneath that read COMMON QUAIL, OLD WORLD. She leaned in close to it and wondered if the chicks were real. How could you shoot something so small and put it together again?
Past the bird rooms she came into a large study, ceiling-high bookshelves all around but no ladder in sight. It had the other hallmarks of an old-fashioned library—wainscoting, reading lights with beaded strings to pull, end tables that gleamed with a cherry warmth beneath their patina of dust. An antique brown globe on a stand, crossed sabers over the mantelpiece. She was displeased to see she was back among animals with sharp teeth and claws. Bears protruded from the walls between shelves, fangs bared, black and brown bears of varying sizes. One stood upright and ferocious in the corner, beside a coat stand. Its head was huge and marked on the plaque were the words KODIAK, ALASKA.
She knew it was irrational but still she felt nervous, alone in the house with the predators. Their glass eyes followed her.
But that would be easy enough to set right, she thought, looking for the nearest door—she would escape the eyes by stepping outside, get out of the dark wood and fustiness and old fur and take a free, full breath. She would have the stuffed animals cleared out as soon as she could, hire some movers to get rid of them. Not wishing to insult her uncle’s memory, though, she couldn’t throw them in the garbage, she’d have to donate them somewhere—a third-string natural history museum, maybe, or a moth-eaten roadside attraction. She would redecorate the place from top to bottom. It would be an ambitious project, a difficult task—a task so large in scope that it could occupy her for as