the throng that way. It made the going slower, but he got a flash of her butterscotch hair bobbing by the transfer tunnel to the Atlantic Avenue Elevated.
He reached the platform just as the cars arrived. She stood two doors ahead of him in the same car when the train left the station and the city opened up in front of them, its blues and browns and brick red deepening in the onset of dusk. Windows in the office buildings had turned yellow. Streetlamps came on, block by block. The harbor bled out from the edges of the skyline. Emma leaned against a window and Joe watched it all unfurl behind her. She stared out blankly at the crowded car, her eyes alighting on nothing but wary just the same. They were so pale, her eyes, paler even than her skin. The pale of very cold gin. Her jaw and nose were both slightly pointed and dusted with freckles. Nothing about her invited approach. She seemed locked behind her own cold and beautiful face.
And what will the gentleman be having with his robbery this morning?
Just try not to leave marks.
That's usually what liars say.
When they passed through Batterymarch Station and rattled over the North End, Joe looked down at the ghetto, teeming with Italians - Italian people, Italian dialects, Italian customs and food - and he couldn't help but think of his oldest brother, Danny, the Irish cop who'd loved the Italian ghetto so much he'd lived and worked there. Danny was a big man, taller than just about anyone Joe had ever met. He'd been a hell of a boxer, a hell of a cop, and he knew little of fear. An organizer and vice president of the policemen's union, he'd met the fate of every cop who'd chosen to go out on strike in September 1919 - he'd lost his job without hope of reinstatement and been blackballed from all law enforcement positions on the Eastern Seaboard. It broke him. Or so the story went. He'd ended up in a Negro section of Tulsa, Oklahoma, that had burned to the ground in a riot five years ago. Since then, Joe's family had heard only rumors about his whereabouts and those of his wife, Nora - Austin, Baltimore, Philadelphia.
Growing up, Joe had adored his brother. Then he'd come to hate him. Now, he mostly didn't think about him. When he did, he had to admit, he missed his laugh.
Down the other end of the car, Emma Gould said "Excuse me, excuse me" as she worked her way toward the doors. Joe looked out the window and saw that they were approaching City Square in Charlestown.
Charlestown. No wonder she hadn't gotten rattled with a gun pointed at her. In Charlestown, they brought .38s to the dinner table, used the barrels to stir their coffee.
He followed her to a two-story house at the end of Union Street. Just before she reached the house, she took a right down a pathway that ran along the side, and by the time Joe got to the alley behind the house, she was gone. He looked up and down the alley - nothing but similar two-story houses, most of them saltbox shacks with rotting window frames and tar patches in the roof. She could've gone into any of them, but she'd chosen the last walkway on the block. He assumed hers was the blue-gray one he was facing with steel doors over a wooden bulkhead.
Just past the house was a wooden gate. It was locked, so he grabbed the top of it, hoisted himself up, and took a look at another alley, narrower than the one he was in. Aside from a few trash cans, it was empty. He let himself back down and searched his pocket for one of the hairpins he rarely left home without.
Half a minute later he stood on the other side of the gate and waited.
It didn't take long. This time of day - quitting time - it never did. Two pairs of footsteps came up the alley, two men talking about the latest plane that had gone down trying to cross the Atlantic, no sign of the pilot, an Englishman, or the wreckage. One second it was in the air, the next it was gone for good. One of the men knocked on the bulkhead, and after a few seconds, Joe heard him say, "Blacksmith."
One of the bulkhead doors was pulled back with a whine and then a few