you need to do on this, you do."
"Thanks," Joe said, "I will."
"You've done some real good work down here." Maso patted his knee. "Don't think it won't be taken into consideration."
Joe didn't know what his work could be "taken into consideration" for. He'd built something down here out of the mud, and Maso was talking to him like he'd found him a new grocer to shake down. Maybe there was something to those rumors about the old man's thinking of late.
"Oh," Maso said as they neared Union Station, "I heard you still got a rogue out there. That true?"
It took Joe a few seconds. "You mean that 'shiner won't pay his dues?"
"That's the one," Maso said.
The 'shiner was Turner John Belkin. He and his three sons sold white lightning out of their stills in unincorporated Palmetto. Turner John Belkin meant no harm to anyone; he just wanted to sell to the people he'd been selling to for a generation, run some games out of his back parlor, run some girls out of a house down the street. But he wouldn't come into the fold, no matter what. Wouldn't pay tribute, wouldn't sell Pescatore product, wouldn't do anything but go about his business as he'd always run it, and his father and grandfathers had run it before him, going back to when Tampa was still called Fort Brooke and yellow fever killed three times more people than old age.
"I'm working on him," Joe said.
"I hear you been working on him for six months now."
"Three," Joe admitted.
"Then get rid of him."
The car pulled to a stop. Seppe Carbone, Maso's personal bodyguard, opened the door for him and stood waiting in the sun.
"I've got guys working on it," Joe said.
"I don't want you to have guys working on it. I want you to end it. Personally, if you have to."
Maso got out of the car, and Joe followed him to the train to see him off even though Maso said he didn't need to. But the truth was, Joe wanted to see Maso leave, needed to, so he could confirm that it was okay to breathe again, to relax. Having Maso around was like having an uncle move in with you for a couple of days and never leave. And worse, the uncle thought he was doing you a favor.
A few days after Maso left, Joe sent a couple guys to put a little scare into Turner John, but he put a scare into them instead, beat one into a hospital, and this without his sons or a weapon.
Joe met with Turner John a week later.
He told Sal to stay behind in the car and stood on the dirt road out front of the man's copper-roof shack, the porch collapsed on one end, just a Coca-Cola icebox sitting on the other end, so red and shiny Joe suspected it was polished every day.
Turner John's sons, three beefy boys in cotton long johns and not much else, not even shoes (though one wore a red wool sweater with snowflakes on it for some ungodly reason), frisked Joe and took his Savage .32 and then frisked him again.
After that, Joe went inside the shack and sat across from Turner John at a wood table with uneven legs. He tried adjusting the table, gave up, and then asked Turner John why he'd beaten his men. Turner John, a tall, skinny, and severe-looking man with eyes and hair the same brown as his suit, said because they'd come upon him with a threat in their eyes so clear wasn't no point waiting for it to leave their mouths.
Joe asked if he knew this meant Joe would have to kill him to save face. Turner John said he suspected as much.
"So," Joe said, "why you doing it? Why not just pay a bit of tribute?"
"Mister," Turner John said, "your father still with us?"
"No, he passed."
"But you still his son, am I right?"
"I am."
"You have twenty great-grandkids, you still be that man's son."
Joe was unprepared for the flood of emotion that found him in that moment. He had to look away from Turner John before that flood found his eyes. "Yes, I will."
"You want to make him proud, right? Make him see you for a man?"
"Yeah," Joe said. "Of course I do."
"Well, I'm the same way. I had me a fine daddy. Only beat me hard when I had it coming and never when he'd taken to drink. Mostly, he'd just whack my head when I snored. I'm a