Only just visible above the closed wooden gates is a lychgate-style roofed porch, with the same red tiles. Apart from the two roofs – house and porch – the entire frontage is gleaming white. It looks as if it might have been painted yesterday. The overall effect is of a sleek, contemporary white-cube-style house that has swallowed a lumpy old cottage and been unable to digest it.
There’s a second building, long and low, standing between the house and the high wall, separating the two. Most likely it’s a double or triple garage. If there’s this much space at the front, there must be three times as much at the back, at least. I picture a long, striped lawn, alternating shades of lush green, and a smooth stone patio area, complete with top-of-the-range outdoor chairs and sofas: dark brown with plump cream cushions.
I wipe beads of sweat from my forehead. One open window isn’t enough. How has it got so hot, suddenly? I open my door slightly, to let more air in.
Could I …
No. Absolutely not. I can’t ring the bell and smile and say, ‘Hi, Flora. I was passing, and I thought I’d pop round on the off-chance.’ Not after twelve years.
Is that why I came here, really? Not only to see the house but because I’m secretly hoping to rewrite the story?
The Braids and the Leesons were best friends. Twelve years ago, they did not have any sort of argument, nor did they exchange harsh words. The last time they saw each other, everybody smiled and laughed and kissed and hugged goodbye. They talked about getting together again very soon – maybe next week, maybe taking the kids to the summer fair on Parker’s Piece. As they enthusiastically agreed to ring each other to arrange this outing, Flora Braid and Beth Leeson both knew that there would be no phone call in either direction, and no trip to the fair. Dominic Leeson and Lewis Braid did not know this, because no one had told them that the two families would never meet or speak again.
On the face of it, it makes no sense. Only Flora and I understand what happened – and I’ll never know whether our understandings of it are the same. I’ve tried to explain to Dominic what happened from my point of view, and I suppose Flora must have told Lewis something, though perhaps not the truth …
This is ridiculous. I should be watching Ben play football, or finding a supermarket. I really do need to get something for dinner. Who cares where the Braids live now? I’ve seen everything there is to see – cream curtains at the upstairs windows, fat, square red-brick gateposts topped with large balls of grey stone, perfectly smooth and round, clashing horribly with the red brick.
I should go.
I’m about to start the car when I notice one coming up behind me: a Range Rover driving extra slowly. Wyddial Lane is a twenty-mile-an-hour zone, and this car’s going at no more than ten. I’m watching it, willing it to speed up, when I notice a movement from another direction.
It’s Flora’s gates – they’re opening.
The silver-grey Range Rover slows still further as it approaches the Braids’ house. It inches forward, now almost level with my car. That’s where it’s heading: through the wooden gates, into the grounds of number 16. Of course: there’s no way Lewis and Flora would have gates that you have to get out and open; they’d have some kind of remote-control set-up.
I see glossy dark brown hair through the Range Rover’s half-open window. It could well be Flora. It’s bound to be.
Shit. Why did I think I could get away with this? She’s going to see me.
No, she won’t. No one looks at a random parked car. She’ll drive in through the gates and then they’ll close again, and she won’t think about what’s beyond her property.
I turn my face away, making sure to lean close to my open window in case there’s anything to hear.
There’s nothing for a few seconds. Then a crunch of tyres on gravel, and the sound of the Range Rover’s engine cutting out. A car door opens. Feet land on gravel and a woman’s voice, halfway through a sentence as it emerges into the open air, drifts across to me: ‘… said I’m ready now. You can start. Yes. Start.’
It’s Flora. Unmistakeably. She doesn’t sound happy. She sounds … I don’t know how to describe it. Afraid, resentful, prepared for the worst. Is