been left in its lock, but that is because you can’t open the door without the combination; the key is superfluous. I try using Charles’s birth date and passport numbers to crack the combination, but that proves futile. I blow out my cheeks for want of a better idea, then my eyes alight on a small stack of DVD cases on the table on the opposite side of the bed. They are all from Nepal, perhaps bought from the same shop where I bought my collection a couple of weeks ago; they include the DVD I watched about the Tibetan resistance to the Chinese invasion in 1950, and the betrayal by the CIA. The other movies are all about Tibet, mostly the cruelty of the Chinese aggressors and the Tibetan struggle for survival under a barbaric invader, although a few are dedicated to Tantric Buddhism. I decide to check the Jacuzzi.
It is just as the girls described: gigantic and designed for orgies of the Roman type. It occupies a windowless room about thirty feet square done up in antique stone tiles with murals out of Pompeii. Some of the wall tiles bear profiles of Caesar-like men and Messalina-like women. There is also a bust on a pedestal. The bust is unmistakably that of Frank Charles. Every detail is of the highest quality. Kitsch as the idea may be, the execution takes it to a higher, and very sophisticated, level; it could almost be a bathhouse from Pompeii.
All this while the receptionist has been growing more and more irritated at the time Sukum is spending in the movie room with the security guard. It doesn’t help that every now and then some of the synthetic cries and groans escape into the corridor. I knock and tell Sukum to come examine the bust of the victim in the Jacuzzi. He emerges shame-faced, rubbing his eyes, unable to look into mine. The porn seems to have done something to his head beyond the obvious. I think I can guess where his mind is going.
When Captain James Cook sailed into the harbor the British would impertinently call Sydney, the aboriginals on the shore did not see his ships, because they had no mental concept of such things. They learned the hard way. I think something of the kind has happened to Sukum. He is seeing Frank Charles’s condo with new eyes, and his suspicions are confirmed when I point out the likeness the bust in the Jacuzzi bears to the American’s passport photograph. What Sukum had taken for the respectable residence of an eminent man of towering talent and ability—a level in life so exalted he did not trouble even to form an opinion of it and assumed the decor was no more than standard for a billionaire tribe he knew nothing about, a top-of-the-range lifestyle, in other words, which is perhaps the only grail the West aspires to—he is now experiencing as the most elaborate and useless expression of self-indulgence he could possibly imagine.
“It’s all just appetite,” he says, glaring at the bust. Then, like a good Buddhist, he turns his anger on himself. “This is where farang are leading us, isn’t it? Like me with my Toyota. If I had money I would fall into this trap, just the same. And maybe end up like him, thoroughly lost in an ego dream.”
I smile because he has jumped way ahead of me. I did not directly link the American’s narcissism to the exotic manner of his dying, I have too much farang blood for that; but to Sukum, who has no overview other than Buddhism, the operation of the law of cause and effect is obvious. I think he loses all motivation to find the killer for a moment, because, after all, the perp was the victim of nothing more or less than the inexorable law of karma. And also, just for the moment, the demon of ambition has quite deserted him, leaving only disgust. Now I’m seeing the penthouse with Sukum’s eyes. It’s the detail, the extraordinary effort by talented tradesmen and interior designers, the obscenely expensive perfection of the place which represents a blasphemous waste of energy and time by all concerned.
Then his mind, stretched to the end of its elastic, flips back to his factory settings. He turns almost aggressively to the receptionist. “Did the deceased own a car?”
“Yes, a Lexus.”
“What model?”
“The LS 460—top of the range.” Clearly she, too, has the Bangkok automobile virus.
“What color?”
“Gray with metallic finish.”
“Did he