something about it. Someone knows who the mules are.
I am so much a part of the Colonel’s unique rags-to-riches fairy tale that I experience his rage, urgency, and paranoia as if they were mine. It only remains to dash downstairs to pick up Lek, who happens to be standing at my desk with a frown of his own. Before I can tell him we’re off to the airport, he blurts out the source of his anger: “D’you know what Sukum just did? I saw him do it.”
I suppress impatience, for Lek can be stubborn in indignation. “What?”
“He just flipped a case over to you, as if he’s already been promoted and you’re now his slave.” He nods at the monitor on my desk. Sure enough, a file bearing Sukum’s initials has appeared on my own list. Lek is consumed with resentment on my behalf; I calculate it will save time if we do a quick check of the new file, so I double-click on the attachment, which is hardly enlightening.
The report is very brief. It seems that a member of a Japanese trade delegation to Thailand decided to commit suicide in the time-honored Samurai fashion by slitting his guts with a sword, in a three-star hotel on Silom, opposite the Hindu temple. The case summary reports little else, except that the trade delegation in question was comprised of senior members of the Japanese gem industry. Mr. Suzuki was in his early fifties and had recently been wiped out financially by some fraud or swindle, which was one of the subjects on the agenda when the members of the delegation met with medium-level Thai government officials. After the meeting, the delegation returned to Japan—except for the deceased. It seems Mr. Suzuki chose to take his life in Bangkok because he blamed Thailand as the prime cause of his bankruptcy. No further explanation is given.
I shrug. On the one hand, Sukum is clearly in serious breach of protocol in flicking the file over to me without authority; on the other, it is a very minor case which was going to end up untouched at the bottom of someone’s electronic in-box in any event. Does it really matter if it languishes in mine rather than Sukum’s? “He’s just making a point, Lek,” I explain. “He feels eclipsed, upstaged. Let it ride, okay?”
So we’re stuck in a cab, Lek and I, in a traffic jam near the entrance to the highway. There are about a dozen vehicles in front of us and there’s nothing to do but watch the human form reduced to automaton as each driver sticks out a hand with a banknote, the tollbooth clerk in her mask hands back the change, the car moves on. I’m thinking about Tietsin’s termite nest and about being worker number one million and twelve acting out my sub-Orwellian karma and thinking, He’s right, my mind master, this is exactly the continuum we’re stuck with, and for ninety percent of us there really is no way out. Hold that thought for long and you develop a revulsion toward insecticide; I’ll never squash another mosquito.
In my extreme boredom I note that my katoey assistant has brought an iced drink with him into the cab; it is based on modified soybeans which glow with a Chernobyl-green hue and are the fuel rods for the experiment in the transparent plastic bag with its rapidly melting ice cubes. Buddha knows what will happen when the thing reaches room temperature. Lek pulls on an extra-large-caliber straw—designed not to block when you suck in the fuel rods—which is transparent save for an orange spiral, so you can see the glowing green beans shoot up the tube into his mouth. When an ice cube blocks his miniature reactor, he switches to blowing instead of sucking, keeping his fist around the top of the bag to save himself from nuclear blowback.
Lek fits precisely with the run-down cab and the kid—not the same one as last week—who arrives with his broken windshield wiper to make a desultory pass across the window, which gesture would certainly morph into a great show of industry and alacrity should any of us in the vehicle look like we’re ready to spring for twenty baht. But we don’t, and it’s four-o’clock hot, which is by no means the same as midday hot, even though the temperature is roughly the same as it was four hours ago. The day itself has curled up with a yawn; it is exhausted, worn-out, dried,