from her; but he had cut short his rhapsody to ask, with a relapse to distrust: “And the ghost? You’ve been concealing from us the fact that there is no ghost!”

Mary, at the moment, had laughed with him, yet almost with her laugh, being possessed of several sets of independent perceptions, had been struck by a note of flatness in Alida’s answering hilarity.

“Oh, Dorsetshire’s full of ghosts, you know.”

“Yes, yes; but that won’t do. I don’t want to have to drive ten miles to see somebody else’s ghost. I want one of my own on the premises. Is there a ghost at Lyng?”

His rejoinder had made Alida laugh again, and it was then that she had flung back tantalisingly: “Oh, there is one, of course, but you’ll never know it.”

“Never know it?” Boyne pulled her up. “But what in the world constitutes a ghost except the fact of its being known for one?”

“I can’t say. But that’s the story.”

“That there’s a ghost, but that nobody knows it’s a ghost?”

“Well—not till afterward, at any rate.”

“Till afterward?”

“Not till long long afterward.”

“But if it’s once been identified as an unearthly visitant, why hasn’t its signalementz been handed down in the family? How has it managed to preserve its incognito?”

Alida could only shake her head. “Don’t ask me. But it has.”

“And then suddenly—” Mary spoke up as if from cavernous depths of divination—“suddenly, long afterward, one says to one’s self ‘That was it?”’

She was startled at the sepulchral sound with which her question fell on the banter of the other two, and she saw the shadow of the same surprise flit across Alida’s pupils. “I suppose so. One just has to wait.”

“Oh, hang waiting!” Ned broke in. “Life’s too short for a ghost who can only be enjoyed in retrospect. Can’t we do better than that, Mary?”

But it turned out that in the event they were not destined to, for within three months of their conversation with Mrs. Stair they were settled at Lyng, and the life they had yearned for, to the point of planning it in advance in all its daily details, had actually begun for them.

It was to sit, in the thick December dusk, by just such a wide-hooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panesaa the downsab were darkened to a deeper solitude: it was for the ultimate indulgence of such sensations that Mary Boyne, abruptly exiled from New York by her husband’s business, had endured for nearly fourteen years the soul-deadening ugliness of a Middle Western town,3 and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it. They had never for a moment meant their new state to be one of idleness; but they meant to give themselves only to harmonious activities. She had her vision of painting and gardening (against a background of grey walls), he dreamed of the production of his long-planned book on the “Economic Basis of Culture”; and with such absorbing work ahead no existence could be too sequestered: they could not get far enough from the world, or plunge deep enough into the past.

Dorsetshire had attracted them from the first by an air of remoteness out of all proportion to its geographical position. But to the Boynes it was one of the ever-recurring wonders of the whole incredibly compressed island—a nest of counties, as they put it—that for the production of its effects so little of a given quality went so far: that so few miles made a distance, and so short a distance a difference.

“It’s that,” Ned had once enthusiastically explained, “that gives such depth to their effects, such relief to their contrasts. They’ve been able to lay the butter so thick on every delicious mouthful.”

The butter had certainly been laid on thick at Lyng: the old house hidden under a shoulder of the downs had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more completely in its special charm—the charm of having been for centuries a deep dim reservoir of life. The life had probably not been of the most vivid order: for long periods, no doubt, it had fallen as noiselessly into the past as the quiet drizzle of autumn