“I knew the cat was a smart cat,” she said in a high voice, “but I didn’t know he was smart enough to pick up the pieces of my pickle-dish and lay ‘em edge to edge on the very shelf he knocked ’em off of.”

Mattie suddenly drew her arms out of the steaming water. “It wasn’t Ethan’s fault, Zeena! The cat did break the dish; but I got it down from the china-closet, and I’m the one to blame for its getting broken.”

Zeena stood beside the ruin of her treasure, stiffening into a stony image of resentment, “You got down my pickle-dish-what for?”

A bright flush flew to Mattie’s cheeks. “I wanted to make the supper-table pretty,” she said.

“You wanted to make the supper-table pretty; and you waited till my back was turned, and took the thing I set most store by of anything I’ve got, and wouldn’t never use it, not even when the minister come to dinner, or Aunt Martha Pierce come over from Bettsbridge—” Zeena paused with a gasp, as if terrified by her own evocation of the sacrilege. “You’re a bad girl, Mattie Silver, and I always known it. It’s the way your father begun, and I was warned of it when I took you, and I tried to keep my things where you couldn’t get at ‘em—and now you’ve took from me the one I cared for most of all—” She broke off in a short spasm of sobs that passed and left her more than ever like a shape of stone.

“If I’d ‘a’ listened to folks, you’d ’a’ gone before now, and this wouldn’t ‘a’ happened,” she said; and gathering up the bits of broken glass she went out of the room as if she carried a dead body ...

CHAPTER EIGHT

WHEN ETHAN WAS CALLED back to the farm by his father’s illness his mother gave him, for his own use, a small room behind the untenanted “best parlour.” Here he had nailed up shelves for his books, built himself a box-sofa out of boards and a mattress, laid out his papers on a kitchen-table, hung on the rough plaster wall an engraving of Abraham Lincoln and a calendar with “Thoughts from the Poets,” and tried, with these meagre properties, to produce some likeness to the study of a “minister” who had been kind to him and lent him books when he was at Worcester. He still took refuge there in summer, but when Mattie came to live at the farm he had had to give her his stove, and consequently the room was uninhabitable for several months of the year.

To this retreat he descended as soon as the house was quiet, and Zeena’s steady breathing from the bed had assured him that there was to be no sequel to the scene in the kitchen. After Zeena’s departure he and Mattie had stood speechless, neither seeking to approach the other. Then the girl had returned to her task of clearing up the kitchen for the night and he had taken his lantern and gone on his usual round outside the house. The kitchen was empty when he came back to it; but his tobacco-pouch and pipe had been laid on the table, and under them was a scrap of paper torn from the back of a seedsman’s catalogue, on which three words were written: “Don’t trouble, Ethan.”

Going into his cold dark “study” he placed the lantern on the table and, stooping to its light, read the message again and again. It was the first time that Mattie had ever written to him, and the possession of the paper gave him a strange new sense of her nearness; yet it deepened his anguish by reminding him that henceforth they would have no other way of communicating with each other. For the life of her smile, the warmth of her voice, only cold paper and dead words!

Confused motions of rebellion stormed in him. He was too young, too strong, too full of the sap of living, to submit so easily to the destruction of his hopes. Must he wear out all his years at the side of a bitter querulous woman? Other possibilities had been in him, possibilities sacrificed, one by one, to Zeena’s narrow mindedness and ignorance. And what good had come of it? She was a hundred times bitterer and more discontented than when he had married her: the one pleasure left her was to inflict pain on him. All the healthy instincts of self-defence rose