in fluenza. World War I ends. Conan Doyle publishes The New Revelation, his first book on spiritualism. Gerard Manley Hopkins’s Poems is published.
1919 Conan Doyle’s brother, Innes, dies from pneumonia. Another book on spiritualism, The Vital Message, is published.
1920 From this year until his death, the author acts as an advocate for spiritualism.
1921 Conan Doyle’s mother, Mary, dies. Jean experiments with auto matic writing.
1922 Conan Doyle tours America in support of spiritualism. T. S. Eliot’s The Wasteland and James Joyce’s Ulysses are published.
1924 Conan Doyle’s autobiography, Memories and Adventures, is pub lished.
1926 The last Challenger novel, The Land of Mist, is published, as is Conan Doyle’s two-volume History of Spiritualism.
1927 The final Holmes story collection, The Case Book of Sherlock Holmes, is published. Virginia Woolf’s To the Lighthouse is pub lished.
1930 Sir Arthur Conan Doyle dies on July 7 at his home in Sussex from an illness resulting from a heart attack.
GENERAL INTRODUCTION
Sir Arthur Conan Doyle lived an interesting life by any standard. As a young ship’s surgeon he sailed the Arctic in a whaling ship, and later he steamed down the west coast of Africa on a cargo vessel. In midlife his fame as a writer opened doors all over the world. He taught Rudyard Kipling to play golf in a Connecticut field, and argued in the newspapers with his neighbor, Bernard Shaw, about the Titanic. He climbed the top of the Great Pyramid in Giza, and lectured the deacons in the Great Mormon Tabernacle in Utah. As a champion of spiritualism he proclaimed that a pharaoh’s curse could indeed have caused the death of Lord Carnarvon, the patron of the Tutankhamun expedition, and assured the public that Agatha Christie, who had mysteriously disappeared, would show up safe and sound because a psychic to whom he had taken one of her gloves predicted it. He was knighted by King Edward VII for writing a pamphlet justifying the British cause in the Boer War. He wrote what he thought were important historical novels in the manner of Sir Walter Scott and through them hoped to establish his legacy. Ironically enough, all these events have a chance to be remembered only because he also created what he regarded as “a lower stratum of literary achievement,” his peerless detective, Sherlock Holmes.
Holmes has become as famous as any character in literature. His name is synonymous with brilliant deduction. Call someone “Sherlock” and everyone knows what you mean. The stories have been in print continuously since the time the first one, A Study in Scarlet, was published in 1887. In addition Holmes has been the leading character in hundreds of plays, films, and television shows. He made his debut in films even before Conan Doyle had finished writing the stories. Long before Basil Rath bone and Nigel Bruce created their memorable roles of Holmes and Watson in films of the late 1930s and the 1940s, the celebrated sleuth had already been played by a host of actors on stage and screen. The stories continue to be filmed today. You have probably seen one of the excellent Granada Television episodes with Jeremy Brett, which may well be the reason you are reading this book.
Sherlock Holmes has such a strong hold on the popular imagination that he is no longer moored to the books in which he first appeared. Not satisfied by the fifty-six short stories and four novellas of the Holmes canon, writers first adopted the character by completing cases Dr. Watson had mentioned only in passing. Soon they constructed new episodes for the master detective. Film directors followed suit. Though many films have been scrupulously true to the plots of the stories, some have created their own plots. Such films include Young Sherlock Holmes (1985), which invented a childhood for the detective. In it Holmes and Watson meet as teenagers at a boarding school where Professor Moriarty, Holmes’s great nemesis in the books, is an encouraging teacher. It also introduces a love interest for Holmes, a young girl whose death at the hands of Moriarty, who turns into a deadly foe, explains why Holmes was never the marrying kind. The Seven-Per-Cent Solution (1976) sends Holmes to Vienna to meet Sigmund Freud, who traces Holmes’s obsession with Moriarty to a repressed memory of his mother in the arms of the professor. In perhaps the boldest reimagining of the stories, and certainly the most amusing, Without a Clue (1988) reveals that Watson was the real detective genius and that Holmes was his fictional creation; when the