counties and parishes lining the Mississippi River.
Nobody found him.
My father borrowed a Boston Whaler from a friend and went up and down the river for months, searching the banks and islands for his lost son. I would have gone with him, but Dad didn’t want me in that boat. Though my eyes were far sharper than his, he couldn’t bear my presence during his search.
That’s how it began. Not so much his withdrawal into himself, which my mother also went through, but his erasure of me, the guilty survivor. That was not Duncan McEwan’s first voyage into grief, of course. He had lost a child once before. I knew about that, but I’d never really thought deeply about it. That before he married my mother, he’d had another family. Sure, my father had always been older than my friends’ dads, but it never seemed like an issue. Yet in the wake of my brother’s loss—while I sat alone at home and my father plied the river in the vain hope of a miracle—his first wife and daughter seemed suddenly relevant.
Eloise and Emily. Emmie was the daughter. Two years old. My mother told me that they’d died in a one-car accident on Cemetery Road in 1966, taking a shortcut home after visiting Dad at the newspaper. I’d ridden over that exact spot a thousand times. It’s a dogleg turn where three sets of railroad tracks cross through the asphalt. Deep gullies gape on both sides of the road. At night, in a blinding rain, their car—Dad’s car, actually, an Oldsmobile Delta 88—spun off the road and tumbled into one of the ravines, coming to rest upside down in three feet of runoff water. Mother and child drowned in less than a minute. I can’t imagine what that must have been like for my father, to have endured that and then have built another life—to have been gifted a son like Adam—and then be told that he’d been taken by the river during a stupid teenage dare. It was more than my father could bear. And without a corpse to mourn, he simply refused to believe that Adam was dead. Who could blame him? When you’re blessed with a god for a son, it’s tough to accept mortality.
Thinking of my father like that, boarding that Boston Whaler down below Front Street every day, on a hopeless quest for his dead son, I suddenly realize that I’ve come to the low stone wall that borders the Bienville Cemetery. Hallam Avenue has intersected Cemetery Road. The bluff and the river aren’t quite visible from here, but I see Laurel Hill, the westernmost hill in the Bienville necropolis, where the monument to Adam stands. The statue—of an athletic young man who appears to mournfully stand watch over the river—was sculpted in Italy, by an artist my father met while working in Rome as an army reporter for Stars and Stripes. Another story for another day. The statue is famous among barge crews, who call it “the Watchman.” Poised 240 feet above the river, it’s the first thing the crews look for as they pass north of Bienville. Despite the tragedy behind the statue’s existence, it reassures them somehow, like a life-size St. Christopher medal.
Its effect on the town was impossible to foresee. Within hours after being erected on the hill, Adam’s statue became a shrine for local teenagers. By that time I was in a pit of despair, suffering from what doctors would later diagnose as PTSD. But I still went to school, and I heard the stories. On any given weekend, you could find kids leaning against its pedestal, watching the sunset. At dawn you’d find different kids watching the sunrise from the same spot. Since coming back home, I’ve been told this still happens, thirty-one years later, even though the present generation knows nothing about Adam beyond what their parents have told them. Pilgrims have prayed to Adam’s statue, conceived children under it, left rafts of flowers and poems at its feet. But I haven’t stood before it in twenty-eight years. I can’t bear to. The last time I did, the experience hurled me back to that terrible morning in the river—just as seeing Buck’s body did today. But the worst hour of that morning, worse even than abandoning my brother to his death under that barge, was the soul-scalding act of walking into my family’s home with the sheriff and telling my parents that their oldest son wouldn’t be coming home ever