married. When she talked with him two days ago she hadn’t seemed desperate enough to grant Oshobi total power.
It made him feel sick. For the last two days, he’d thought through every option he had, and he couldn’t find anything that would assert his own rights without undermining Kaede’s. He didn’t know what any of the political undercurrents were, so anything he did could have the opposite of the intended effect. But the clean clothes laid out for him, clothing fit for a noble, if not quite royalty, told him that Kaede most likely hadn’t intended him to die today. Was this his chance? Or was she punishing him by forcing him to watch a wedding that she saw as his fault?
Outside, the nobles were gathering in order of precedence, standing as Sethi always stood to witness a wedding. Soon, at least four hundred of them surrounded the platform where the Empress and Emperor-to-be would be wed. Solon could pick out many faces he recognized, and saw a frightening number of absences, too. Had his brother killed so many? How had Sijuron become such a monster without Solon knowing?
The ring of the singing swords announced the beginning of the ceremony. On the platform, the dancers faced each other. Each wore a mask, the man the suitor’s mask, which today was deadly serious. A pubescent boy wore the woman’s mask, today lovely but austere in keeping with the empress’s dignity. Each held a specially shaped hollow sword that would sing in the dance, tones varied by the dancers’ grip and where each struck the other. The swords were pitched at octaves, and the duel—symbolic of the couple’s courtship—was always partly choreographed and partly extemporaneous. It was a perennial favorite, and skilled dancers were the most expensive part of a wedding. The dances, proclaimed sacred to Nysos, ranged from the erotic to the comedic. It was also usually the most anxiety-provoking time of a wedding for the couple. Dancers being the artists they were, there was no guaranteeing they wouldn’t make the man or woman or both look like fools, and the sword dance was often the only thing remembered about the wedding.
The dancers bowed low, but kept their eyes up, as if suspicious of each other, and then they began. For a time as they danced, Solon forgot that he was in a prison. They gave the boy a quick hand for Kaede’s quick tongue, and a wide range. A woman known as a scold might be given a single note for an entire dance, while an excitable man might be given only notes at the extremes of the singing sword. The man playing Oshobi was a huge presence, forceful and manly and, if slower, also stronger than Kaede. Whoever they were, these dancers were incorruptible, unafraid of even a man who would be emperor. In their dance, Solon read the courtship perfectly.
Oshobi had always pursued with a single-minded determination. Kaede weakened early, then rallied for years. Always, Oshobi pursued, and the dancer gave a lightly mocking tone to it that only a skilled eye would have seen. There was the suggestion that Oshobi wanted not Kaede, but that which was behind her—missing opportunities at the woman as he aimed at the throne.
Kaede slowly tired, but the dancers underplayed it, not suggesting that Oshobi beat her into submission, but simply allowing her to slow to his level and make him look more brilliant as he matched and overmatched her, cadences singing together until Oshobi took up Kaede’s line. As the dance wound to a close, Kaede bowed to her knees and spread her arms to take the ceremonial touch over the heart. In apparent haste, the dancer playing Oshobi stepped forward too quickly and slipped, his sword tapped her throat for the barest instant before he righted himself and touched it to her heart.
It was so well done that even Solon believed for a moment that the dancer really had slipped. Everyone took it as that, or decided to take it as that: a slight error in an otherwise flawless performance. They cheered wildly and once the cheering stopped, the betrothed entered.
Solon’s heart leapt to his throat as Kaede strode forward. She wore a purple samite cape with a long train, edged in lace. A crown of vines with ripe purple grapes was woven through her long black hair. It being her wedding, both of her breasts were bare, the nipples rouged, and beneath her navel her bare stomach was adorned