her long white teeth were very sharp. She opened all her eyes, and beckoned the rakshasas to her, and greeted them as she would have greeted her own children.
The storms of the last few days, to the north and the east, had done nothing to ease the feeling of pressure and discomfort in the air. Local weather forecasters had begun to warn of cells that might spawn tornados, of high-pressure areas that did not move. It was warm by day there, but the nights were cold.
They clumped together in informal companies, banding together sometimes by nationality, by race, by temperament, even by species. They looked apprehensive. They looked tired.
Some of them were talking. There was laughter, on occasion, but it was muted and sporadic. Six-packs of beer were handed around.
Several local men and women came walking over the meadows, their bodies moving in unfamiliar ways: their voices, when they spoke, were the voices of the loa who rode them: a tall, black man spoke in the voice of Papa Legba who opens the gates; while Baron Samedi, the voudon lord of death, had taken over the body of a teenage Goth girl from Chattanooga, possibly because she possessed her own black silk top hat, which sat on her dark hair at a jaunty angle. She spoke in the baron’s own deep voice, smoked a cigar of enormous size, and commanded three of the Gédé, the Loa of the dead. The Gédé inhabited the bodies of three middle-aged brothers. They carried shotguns and told continual jokes of such astounding filthiness that only they were willing to laugh at them, which they did, raucously and repeatedly.
Two ageless Chickamauga women, in oil-stained blue jeans and battered leather jackets, walked around, watching the people and the preparations for battle. Sometimes they pointed and laughed; they did not intend to take part in the coming conflict.
The moon swelled and rose in the east, a day away from full. It seemed half as big as the sky as it rose, a deep reddish-orange, immediately above the hills. As it crossed the sky it seemed to shrink and pale until it hung high in the sky like a lantern.
There were so many of them waiting there, in the moonlight, at the foot of Lookout Mountain.
Laura was thirsty.
Sometimes living people burned steadily in her mind like candles and sometimes they flamed like torches. It made them easy to avoid, and it made them easy, on occasion, to find. Shadow had burned so strangely, with his own light, up on that tree.
She had chided him once, on that day when they had walked and held hands, for not being alive. She had hoped, perhaps, to see a spark of raw emotion, something that would show her that the man she had once been married to was a real man, a live one. And she had seen nothing at all.
She remembered walking beside him, wishing that he could understand what she was trying to say.
Now, dying on the tree, Shadow was utterly alive. She had watched him as the life had faded, and he had been focused and real. And he had asked her to stay with him, to stay the whole night. He had forgiven her…perhaps he had forgiven her. It did not matter. He had changed; that was all she knew.
Shadow had told her to go to the farmhouse, that they would give her water to drink there. There were no lights burning in the farm building, and she could feel nobody at home. But he had told her that they would care for her. She pushed against the door of the farmhouse and it opened, rusty hinges protesting the whole while.
Something moved in her left lung, something that pushed and squirmed and made her cough.
She found herself in a narrow hallway, her way almost blocked by a tall and dusty piano. The inside of the building smelled of old damp. She squeezed past the piano, pushed open a door and found herself in a dilapidated drawing room, filled with ramshackle furniture. An oil lamp burned on the mantelpiece. There was a coal fire burning in the fireplace beneath it, although she had neither seen nor smelled smoke outside the house. The coal fire did nothing to lift the chill she felt in that room, although, Laura was willing to concede, that might not be the fault of the room.
Death hurt Laura, although the hurt consisted mostly of absences, of things that were not there: a parching thirst