to the attendant and entering the jet way.
The face was instantly recognizable.
Rachel Cutler.
Perfect.
TWENTY-THREE
Atlanta, Georgia
Friday, May 16, 9:15 a.m.
Suzanne strolled into the office. Paul Cutler rose from behind an oversize walnut
desk and stepped toward her.
"I appreciate your taking the time to see me," she said.
"Not a problem, Ms. Myers."
Cutler used the surname she'd provided the receptionist. She knew Knoll liked to use
his own name. More of his arrogance. She preferred anonymity. Less chance of leaving a lasting impression.
"Why don't you call me Jo?" she said.
She took the seat offered her and studied the middle-aged lawyer. He was short and lean with light brown hair, not bald, just thinning. He was dressed in the expected white shirt, dark pants, and silk tie, but the suspenders added a touch of maturity. He flashed a disarming smile and she liked his glinting slate-gray eyes. He appeared diffident and unassuming, someone she quickly decided could be charmed. Luckily, she'd dressed for the part. A chestnut wig was pinned to the top of her head. Blue contact lenses tinted her eyes. A pair of octagonal clear lenses in gold frames added to the illusion. The crepe skirt with a double-breasted jacket and peak lapels had been bought yesterday at Ann Taylor and carried a distinctive feminine touch, the idea being to draw attention away from her face. When she sat, she crossed her legs, slowly exposing black stockings, and she tried to smile a bit more than usual. "You're an art investigator?" Cutler asked. "Must be interesting work."
"It can be. But I'm sure your job is equally challenging."
She quickly took in the room's decor. A framed Winslow print hung over a leather
settee, a Kupka watercolor on either side. Diplomas dotted another wall, along with numerous professional memberships and awards from the American Bar Association, Society of Probate Lawyers, and the Georgia Trial Lawyers Association. Two color photographs were apparently taken in what looked to be a legislative chamber-Cutler shaking hands with the same older man.
She motioned to the art. "A connoisseur?"
"Hardly. I do a little collecting. I'm active, though, with our High Museum." "You must derive a lot of pleasure from that."
"Art is important to me."
"Is that why you agreed to see me?"
"That, and simple curiosity."
She decided to get down to business. "I went by the Fulton County Courthouse a
little while ago. The secretary at your ex-wife's office indicated Judge Cutler was out of town. She wouldn't tell me where she'd gone and suggested I come talk to you." "Sami called a little while ago and said this concerns my former father-in-law?" "Yes, it does. Judge Cutler's secretary confirmed to me that a man visited yesterday, looking for your ex-wife. A tall, blond European. He used the name Christian Knoll. I've been tailing Knoll all week, but lost him yesterday afternoon at the airport. I fear he might be following Judge Cutler."
Concern waved across her host's face. Excellent. She'd guessed right.
"Why would this Mr. Knoll follow Rachel?"
She was gambling by being frank. Maybe fear would lower his barriers and she could
learn exactly where Rachel Cutler had gone. "Knoll came to Atlanta to talk with Karol Borya." She decided to omit any reference that Knoll actually talked to Borya Saturday night. No need to make too much of a connection. "He must have learned that Borya died and sought out the daughter. It's the only logical explanation why he went to her office."
"How did he, or you, know anything about Karol?"
"You must know what Mr. Borya did when he was a Soviet citizen."
"He told us. But how do you know?"
"The records for the Commission Mr. Borya once worked for are now public in
Russia. It's an easy matter to study the history. Knoll is looking for the Amber Room, and was probably hoping Borya knew something about it."
"But how did he know where to find Karol?"
"Last week Knoll perused records in a depository in St. Petersburg. These have become available for inspection only recently. He learned the information there." "That doesn't explain why you're here."
"As I indicated, I followed Knoll."
"How did you know Karol died?"
"I didn't until I arrived in town Monday."
"Ms. Myers, what's all the interest in the Amber Room? We're talking about
something that's been lost for over fifty years. Don't you think if it could have been found, it would have by now?"
"I agree, Mr. Cutler. But Christian Knoll thinks otherwise."
"You said you lost him in the airport yesterday. What makes you think he's following Rachel?"
"Just a hunch. I searched the concourses but never could find