into a man, but that bitter fool also instilled a sense of anger. Jakob Knoll fought in Hitler's army as a fervent Nazi. To the end he supported the Reich. He was a hard man to love, but equally hard to ignore.
He turned from the window and glanced over at the nightstand beside the four-poster bed.
A copy of Hitler's Willing Executioners lay on top. The volume had caught his eye two months ago. One of a rash of books published lately on the psyche of the German people during the war. How did so many let such barbarism exist from so few? Were they willing participants, as the writer suggested? Hard to say about everyone. But his father was definitely one. Hate came easy to him. Like a narcotic. What was it he many times quoted from Hitler? I go the way Providence dictates with the assurance of a sleepwalker.
And that was exactly what Hitler had done-straight to his downfall. Jakob Knoll likewise died bitter, twelve years after Amara succumbed to diabetes. Knoll was eighteen and alone when his genius IQ led to a scholarship at the
University of Munich. Humanities had always interested him, and during his senior year he earned a fellowship to Cambridge University in art history. He recalled with amusement the summer he fell in briefly with neo-Nazi sympathizers. At the time those groups were not nearly so vocal as today, outlawed as they were by the German government. But their unique look at the world hadn't interested him. Then or now. Nor had hate. Both were unprofitable and counterproductive.
Particularly when he found women of color so alluring.
He spent only a year at Cambridge before dropping out and hiring on to work for Nordstern Fine Art Insurance Limited in London as a claims adjuster. He recalled how quickly he made a name for himself after retrieving a Dutch master thought lost forever. The thieves called, demanding a ransom of twenty million pounds or the canvas would be burned. He could still see the shock on his superiors' faces when he flatly told the thieves to burn it. But they hadn't. He knew they wouldn't. And a month later he recovered the painting after the culprits, in desperation, tried to sell it back to the owner.
More successes came equally as easy.
Three hundred million dollars' worth of old Masters taken from a Boston museum found. A $12 million Jean-Baptiste Oudry, stolen in northern England from a private collector recovered. Two magnificent Turners filched from the Tate Gallery in London located in a ramshackle Parisian apartment.
Franz Fellner met him eleven years ago, when Nordstern dispatched him to do an inventory on Fellner's collection. Like any careful collector Fellner insured his known art assets, the ones that sometimes appeared in European art or American specialty magazines, the publicity a way to make a name for himself, spurring black marketeers to seek him out with truly valuable treasures. Fellner lured him away from Nordstern with a generous salary, a room at Burg Herz, and the excitement that came from stealing back some of humanity's greatest creations. He possessed a talent for searching, enjoying immensely the challenge of finding what people went to enormous lengths to hide. The women he came across were equally enticing. But killing particularly excited him. Was that his father's legacy? Hard to say. Was he sick? Depraved? Did he really care? No. Life was good.
Damn good.
He stepped away from the window and entered the bathroom. The oriel above the toilet was hinged open and cool evening air rid the tiles of moisture from his earlier shower. He studied himself in the mirror. The brown dye used the past couple of weeks was gone, his hair once again blond. Disguises were not his usual forte, but he'd deemed a change of look wise under the circumstances. He'd shaved while bathing, his tanned face smooth and clean. His face still carried a confident air, the image of a forthright man with strong tastes and convictions. He splashed a bit of cologne onto his neck and dried his skin with a towel, then slipped on his dinner jacket.
The telephone on the nightstand rang in the outer room. He crossed the bedchamber and answered before the third ring.
"I'm waiting," the female voice said.
"And patience is not one of your virtues?"
"Hardly."
"I'm on my way."
Knoll descended the spiral staircase. The narrow stone path wound clockwise, copied
from a medieval design that forced invading right-handed swordsmen to battle the central turret as well as castle defenders.