was this place, that the children knew of Makers, and had no heartfires?
"I thought your house was standing empty," said Peggy, "but I see that it is not."
For indeed there now stood a woman in the doorway, leaning against the jamb, watching them placidly as she slowly stirred a bowl with a wooden spoon.
"Mama!" cried the girl that Peggy still held. "She has me and won't let go!"
"It's true!" cried Peggy at once. "And I still won't let go, till I'm sure she won't murder the boy here!"
"He killed my squirrel, Mama!" cried the girl.
The woman said nothing, just stirred.
"Perhaps, children," said Peggy, "we should go talk to this lady in the doorway, instead of shouting like river rats."
"Mother doesn't like you," said one of the girls. "I can tell."
"That's a shame," said Peggy. "Because I like her."
"Do not," said the girl. "You don't know her, and if you did you still wouldn't like her because nobody does."
"What a terrible thing to say about your mother," said Peggy.
"I don't have to like her," said the girl. "I love her."
"Then take me to this woman that you love but don't like," said Peggy, "and let me reach my own conclusions about her."
As they approached the door, Peggy began to think that the girls might be right. The woman certainly didn't look welcoming. But for that matter, she didn't look hostile, either. Her face was empty of emotion. She just stirred the bowl.
"My name is Peggy Larner." The woman ignored her outstretched hand. "I'm sorry if I shouldn't have intervened, but as you can see the boy was taking some serious injury."
"Just my nose is bloody, is all," said the boy. But his limp suggested other less visible pains.
"Come inside," said the woman.
Peggy had no idea whether the woman was speaking just to the children, or was including her in the invitation. If it could be called an invitation, so blandly she spoke it, not looking up from the bowl she stirred. The woman turned away, disappearing inside the house. The children followed. So, finally, did Peggy. No one stopped her or seemed to think her action strange. It was this that first made her wonder if perhaps she had fallen asleep in the carriage and this was some strange dream, in which unaccountable unnatural things happen which nevertheless excite no comment in the land of dreams, where there is no custom to be violated. Where I am now is not real. Outside waits the carriage and the team of four horses, not to mention the driver, as real and mundane a fellow as ever belched in the coachman's seat. But in here, I have stepped into a place beyond nature. There are no heartfires here.
The children disappeared, stomping somewhere through the wood-floored house, and at least one of them went up or down a flight of stairs; it had to be a child, there was so much vigor in the step. But there were no sounds that told Peggy where to go, or what purpose was being served by her coming here. Was there no order here? Nothing that her presence disrupted? Would no one but the children ever notice her at all?
She wanted to go back outside, return to the carriage, but now, as she turned around, she couldn't remember what door she had come through, or even which way was north. The windows were curtained, and whatever door she had come through, she couldn't see it now.
It was an odd place, for there was cloth everywhere, folded neatly and stacked on all the furniture, on the floors, on the stairs, as if someone had just bought enough to make a thousand dresses with and the tailors and seamstresses were yet to arrive. Then she realized that the piles were of one continuous cloth, flowing off the top of one stack into the bottom of the next. How could there be a cloth so long? Why would anyone make it, instead of cutting it and sending it out to get something made from it?
Why indeed. How foolish of her not to realize it at once. She knew this place. She hadn't visited it herself, but she had seen it through Alvin's heartfire years ago.
He was still in Ta-Kumsaw's thrall in those days. The Red warrior took Alvin with him and brought him into his legend, so that those who now spoke of Alvin Smith the Finder-killer, or Alvin Smith and the golden plow, had once spoken of the same boy,