boot soles.
"Well, obviously." Evelyn puts her arm against the window and leans into it, looking out over the city and beyond it, the marsh. "Thank you for the update."
"We'll find him," Therese says. "He can't have gone far. I swear we'll find him."
"I just want him to be gone," Evelyn says, her voice tight and small, like a child's. I wonder if she's still afraid of him, in the way that I'm still afraid of him, like a nightmare that keeps resurfacing during the day. I wonder how similar my mother and I are, deep down where it counts.
"I know," Therese says, and she leaves.
I stand for a long time, watching Evelyn stare out the window, her fingers twitching at her side.
I feel like what I have become is halfway between my mother and my father, violent and impulsive and desperate and afraid. I feel like I have lost control of what I have become.
CHAPTER THIRTY-TWO
TRIS
DAVID SUMMONS ME to his office the next day, and I am afraid that he remembers how I used him as a shield when I was backing away from the Weapons Lab, how I pointed a gun at his head and said I didn't care if he lived or died.
Zoe meets me in the hotel lobby and leads me through the main hallway and down another one, long and narrow, with windows on my right that show the small fleet of airplanes perched in rows on the concrete. Light snow touches the glass, an early taste of winter, and melts within seconds.
I sneak looks at her as we walk, hoping to see what she is like when she doesn't think anyone is watching, but she seems just the same as always—chipper, but businesslike. Like the attack never happened.
"He'll be in a wheelchair," she says when we reach the end of the narrow hallway. "It's best not to make a big deal of it. He doesn't like to be pitied."
"I don't pity him." I struggle to keep the anger out of my voice. It would make her suspicious. "He's not the first person to ever be hit with a bullet."
"I always forget that you have seen far more violence than we have," Zoe says, and she scans her card at the next security barrier we reach. I stare through the glass at the guards on the other side —they stand erect, their guns at their shoulders, facing forward. I get the sense they have to stand that way all day.
I feel heavy and achy, like my muscles are communicating a deeper, emotional pain. Uriah is still in a coma. I still can't look at Tobias when I see him in the dormitory, in the cafeteria, in the hallway, without seeing the exploded wall next to Uriah's head. I'm not sure when, or if, anything will ever get better, not sure if these wounds are the kind that can heal.
We walk past the guards, and the tile turns to wood beneath my feet. Small paintings with gilded frames line the walls, and just outside David's office is a pedestal with a bouquet of flowers on it. They are small touches, but the effect is that I feel like my clothes are smudged with dirt.
Zoe knocks, and a voice within calls out, "Come in!"
She opens the door for me but doesn't follow me in. David's office is spacious and warm, the walls lined with books where they are not lined with windows. On the left side is a desk with glass screens suspended above it, and on the right side is a small laboratory with wood furnishings instead of metal ones.
David sits in a wheelchair, his legs covered in a stiff material—to keep the bones in place so they can heal, I assume. He looks pale and wan, but healthy enough. Though I know that he had something to do with the attack simulation, and with all those deaths, I find it difficult to pair those actions with the man I see in front of me. I wonder if this is how it is with all evil men, that to someone, they look just like good men, talk like good men, are just as likable as good men.
"Tris." He pushes himself toward me and presses one of my hands between his. I keep my hand firmly in his, though his skin feels dry as paper and I am repulsed by him.
"You are so very brave," he says, and then he releases my hand. "How are your injuries?"
I shrug.