the guards have caught up with me. They fire, and a bullet hits me in the fleshy part of my arm. I scream, clapping my hand over the wound, and my vision goes spotty at the edges as I throw myself around the corner again, half walking and half stumbling to the blasted-open doors.
Beyond them is a small vestibule with a set of sealed, lockless doors at the other end. Through the windows in those doors I see the Weapons Lab, the even rows of machinery and dark devices and serum vials, lit from beneath like they're on display. I hear a spraying sound and know that the death serum is floating through the air, but the guards are behind me, and I don't have time to put on the suit that will delay its effects.
I also know, I just know, that I can survive this.
I step into the vestibule.
CHAPTER FORTY-EIGHT
TOBIAS
FACTIONLESS HEADQUARTERS—BUT this building will always be Erudite headquarters to me, no matter what happens—stands silent in the snow, with nothing but glowing windows to signal that there are people inside. I stop in front of the doors and make a disgruntled sound in my throat.
"What?" Peter says.
"I hate it here," I say.
He pushes his hair, soaked from the snow, out of his eyes. "So what are we going to do, break a window? Look for a back door?"
"I'm just going to walk in," I say. "I'm her son."
"You also betrayed her and left the city when she forbade anyone from doing that," he says, "and she sent people after you to stop you. People with guns."
"You can stay here if you want," I say.
"Where the serum goes, I go," he says. "But if you get shot at, I'm going to grab it and run."
"I don't expect anything more."
He is a strange sort of person.
I walk into the lobby, where someone reassembled the portrait of Jeanine Matthews, but they drew an X over each of her eyes in red paint and wrote "Faction scum" across the bottom.
Several people wearing factionless armbands advance on us with guns held high. Some of them I recognize from across the factionless warehouse campfires, or from the time I spent at Evelyn's side as a Dauntless leader. Others are complete strangers, reminding me that the factionless population is larger than any of us suspected.
I put up my hands. "I'm here to see Evelyn."
"Sure," one of them says. "Because we just let anyone in who wants to see her."
"I have a message from the people outside," I say. "One I'm sure she would like to hear."
"Tobias?" a factionless woman says. I recognize her, but not from a factionless warehouse—from the Abnegation sector. She was my neighbor. Grace is her name.
"Hello, Grace," I say. "I just want to talk to my mom."
She bites the inside of her cheek and considers me. Her grip on her pistol falters. "Well, we're still not supposed to let anyone in."
"For God's sake," Peter says. "Go tell her we're here and see what she says, then! We can wait."
Grace backs up into the crowd that gathered as we were talking, then lowers her gun and jogs down a nearby hallway.
We stand for what feels like a long time, until my shoulders ache from supporting my arms. Then Grace returns and beckons to us. I lower my hands as the others lower their guns, and walk into the foyer, passing through the center of the crowd like a piece of thread through the eye of a needle. She leads us into an elevator.
"What are you doing holding a gun, Grace?" I say. I've never known an Abnegation to pick up a weapon.
"No faction customs anymore," she says. "Now I get to defend myself. I get to have a sense of self-preservation."
"Good," I say, and I mean it. Abnegation was just as broken as the other factions, but its evils were less obvious, cloaked as they were in the guise of selflessness. But requiring a person to disappear, to fade into the background wherever they go, is no better than encouraging them to punch one another.
We go up to the floor where Jeanine's administrative office was— but that's not where Grace takes us. Instead she leads us to a large meeting room with tables, couches, and chairs arranged in strict squares. Huge windows along the back wall let in the moonlight. Evelyn sits at a table on the right, staring out the window.
"You can go, Grace," Evelyn says. "You have a message for me,