are any debts against it.”
Of course, I’d never go near the theater. They must never guess what had happened, never be contaminated by it. And for now I had done what I could for all those I loved, hadn’t I?
AND when all this was finished, when the church clocks struck three over the white rooftops and I was hungry enough to smell blood everywhere that I turned, I found myself standing in the empty boulevard du Temple.
The dirty snow had turned to slush under the carriage wheels, and I was looking at the House of Thesbians with its spattered walls and its torn playbills and the name of the young mortal actor, Lestat de Valois, still written there in red letters.
10
THE following nights were a rampage. I began to drink up Paris as if the city were blood. In the early evening I raided the worst sections, tangling with thieves and killers, often giving them a playful chance to defend themselves, then snarling them in a fatal embrace and feasting to the point of gluttony.
I savored different types of kills: big lumbering creatures, small wiry ones, the hirsute and the dark-skinned, but my favorite was the very young scoundrel who’d kill you for the coins in your pocket.
I loved their grunting and cursing. Sometimes I held them with one hand and laughed at them till they were in a positive fury, and I threw their knives over the rooftops and smashed their pistols to pieces against the walls. But in all this my full strength was like a cat never allowed to spring. And the one thing I loathed in them was fear. If a victim was really afraid I usually lost interest.
As time went on, I learned to postpone the kill. I drank a little from one, and more from another, and then took the grand wallop of the death itself from the third or the fourth one. It was the chase and the struggle that I was multiplying for my own pleasure. And when I’d had enough of all this hunting and drinking in an evening to content some six healthy vampires, I turned my eyes to the rest of Paris, all the glorious pastimes I couldn’t afford before.
But not before going to Roget’s house for news of Nicolas or my mother.
Her letters were brimming with happiness at my good fortune, and she promised to go to Italy in the spring if only she could get the strength to do it. Right now she wanted books from Paris, of course, and newspapers, and keyboard music for the harpsichord I’d sent. And she had to know, Was I truly happy? Had I fulfilled my dreams? She was leery of wealth. I had been so happy at Renaud’s. I must confide in her.
It was agony to hear these words read to me. Time to become a liar in earnest, which I had never been. But for her I would do it.
As for Nicki, I should have known he wouldn’t settle for gifts and vague tales, that he would demand to see me and keep on demanding it. He was frightening Roget a little bit.
But it didn’t do any good. There was nothing the attorney could tell him except what I’ve explained. And I was so wary of seeing Nicki that I didn’t even ask for the location of the house into which he’d moved. I told the lawyer to make certain he studied with his Italian maestro and that he had everything he could possibly desire.
But I did manage somehow to hear quite against my will that Nicolas hadn’t quit the theater. He was still playing at Renaud’s House of Thesbians.
Now this maddened me. Why the hell, I thought, should he do that?
Because he loved it there, the same as I had, that was why. Did anybody really have to tell me this? We had all been kindred in that little rattrap playhouse. Don’t think about the moment when the curtain goes up, when the audience begins to clap and shout . . .
No. Send cases of wine and champagne to the theater. Send flowers for Jeannette and Luchina, the girls I had fought with the most and most loved, and more gifts of gold for Renaud. Pay off the debts he had.
But as the nights passed and these gifts were dispatched, Renaud became embarrassed about all this. A fortnight later, Roget told me Renaud had made a proposal.
He wanted me to buy the House of Thesbians and keep him