people can't," I said. "But I'm special."

Tommy sniffed. "I suppose that's one way of putting it." He brushed himself down here and there, repairing his appearance as best he could, then looked at the headless Doorman, lying on the steps beside him. He moved fastidiously a little further away from the blood. "Been busy, I see."

"For once, not my fault." I filled him in on what had been happening, or at least as much of it as I thought he could cope with, and explained my need to get to St. Jude's in a hurry. He really wasn't keen on the idea, but I can be very persuasive when I have to be. Not to mention downright threatening. I only had to mention a certain video that had come into my hands, featuring him and a very athletic exotic dancer, who happened to be married to someone exceedingly scary, and suddenly he was only too willing to help me out. (I didn't actually have the video. I'd just heard of it and run a bluff. The guilty flee…)

Tommy Oblivion's gift manifested subtly on the air around us, and everything became uncertain. Tommy was an existentialist, and his gift allowed him to express his uncertainty about the world in a real and very physical way. The more he thought about a thing, the more possibilities he could see, and he fixed on the reality he preferred and made it solid. By concentrating hard enough, Tommy was able to convince the world that not only were we not where it thought we were, but actually we were somewhere else entirely.

And so, in the blink of an eye we left the Londinium Club behind us and materialised outside the Church of St. Jude. A dodo wandered past, hooting mournfully, a flock of passenger pigeons flapped by overhead, and an ostrich with two heads looked confusedly at itself, but they were only a few odd possibilities generated by Tommy's gift. He concentrated on shutting his gift down, while I looked around us. Everything but the church had been razed to the ground, for as far as the eye could see. It stood alone, an old squat stone structure in the middle of a wasteland. A wide-open plain of ash and dust, where thick curls of glowing ground fog surged this way and that under the urging of a fitful wind. It was very dark, with just the blue-white glare of the oversized moon shining off the church walls. In the distance, fires leapt up briefly, screams rang out, but it was all very far away. The War had come and gone here, and left nothing behind but the church.

"I'm trying very hard to be existential about this," Tommy said finally, "But this really is a god-awful place. I'd like to say something like… from the ashes of the old shall arise a brave new Nightside… but my heart isn't in it."

"If a new Nightside does arise, I doubt it would be anything you or I would recognise, or would want to," I said. "Not if Lilith has her way."

"God, you're depressing to be around, Taylor. My brother's more cheerful than you, and he's dead. Who are we here to see, anyway?"

"The Lord of Thorns."

"Right," said Tommy. "I am leaving now. Good-bye. Write if you get work. I am out of here…"

"Tommy…"

"No! No way in Hell! There is absolutely nothing you can say or do or threaten me with that would persuade me to have anything to do with Him! I would rather eat my own head! The Lord of Thorns is the only person who actually scares me more than Lilith! She only wants to kill me; he wants to judge me!"

"You could leave," I said. "But it's a really long walk to anywhere civilised. All on your own, in the dark. And if you try to teleport back using your gift… I'll just have the Lord of Thorns drag you back again."

"You know the Lord of Thorns?"

"I know everyone," I said airily.

Tommy kicked at the dusty ground. "Bully," he muttered, not looking at me.

"You're my ride home, Tommy," I said, not unkindly. "You don't have to come into the church with me, if you don't want to. You can guard the door."

"It'll all end in tears," said Tommy.

I tried the church's only door, and it opened easily at my touch. I left Tommy sulking outside, and went in. The bare stone walls were grey and featureless, with only a series of narrow slits