they'll overload my brain and drive me crazy. There's something I want to tell you, Wise Monk. One summer day around noon, more than a decade ago, when everyone in Slaughterhouse Village was asleep, I walked the streets aimlessly like a bored dog, sniffing here and there. When I reached the Beauty Hair Salon entrance, I put my face up against the glass to see what was going on inside. What I saw was an electric fan hanging on the wall, turning from side to side, and the barber, Fan Zhaoxia, in her white smock, seated in Lao Lan's lap with a straight razor in her hand. For a moment I thought she was going to cut his throat, but then I could tell that they were doing you-know-what. She held the razor high over her head in order to keep it away from his face. Her legs were spread and hooked over the arms of the barber-chair. A look of rapture twisted her face out of shape. But she held on to that razor, as if to prove to anyone sneaking a look inside that they were working, not having sex. I wanted to tell someone about these strange goings-on but there was no one to tell, only a black dog sprawled beneath a plane tree, panting away, its tongue lolling to the side. I backed up several paces, picked up a brick and flung it with all my might, then turned to run as fast as I could. I heard the sound of shattering glass behind me. Wise Monk, I'm ashamed to reveal that I was capable of something so despicable, but I think that if I don't tell you it will be an act of disloyalty. I know people call me a Powboy, but that was then. Now, every word I tell you is the unvarnished truth.
POW! 17
The East City and West City processions continue to make their way to the grassy field. The pig float, the sheep float, the donkey float, the rabbit float…all the floats—dedicated to a host of animals whose bodies are offered for the consumption of humans—head to their assigned spots, surrounded by people of every imaginable shape and size who arrange them in square formations to await the arrival of the reviewing VIPs. All but Lao Lan's ostriches, which are running about in our yard. Two of them are fighting over a muddy article of clothing—orange in colour—as if it were a tasty titbit. I recall the woman who'd showed up the day before in a torrential rainstorm, and that scene saddens me. Every few minutes an ostrich sticks its head through the temple door, curiosity flashing in its tiny round eyes. The aura of lassitude emanating from the boys and girls sitting on the rubble of the collapsed wall is in stark contrast to the ostriches’ frenetic action. Employees of Lao Lan's company jabber nonstop into mobile phones. Another ostrich pokes its head inside, but this time it opens it big mouth and pecks the top of the Wise Monk's head. Instinctively, I throw one of my shoes at it but the Wise Monk casually raises his hand and deflects the flying missile. He opens his eyes and presents a smiling countenance—the look of a kindly grandfather watching his grandson take his first steps—to the bird. A black Buick, horn blaring, screams down the road from the west, speeds past the floats and comes to a screeching halt in front of the temple. A man with an expansive belly steps out of the car. He is wearing a grey double-breasted suit with a wide red-checked tie; the label still on his sleeve is that of a famous and expensive brand. But no matter what fancy names he wraps himself in, those big yellow eyes tell me he's my mortal enemy Lao Lan. Several years ago, Wise Monk, I fired off forty-one mortar shells, and the last of them sliced Lao Lan in two. As a result, I took off for destinations unknown to lie low. I later heard that he hadn't died after all; in fact, his business ventures thrived and he was in better health than ever. Out of the car also emerges a fat woman in a purple dress and dark red high heels. She's dyed a section of her permed hair a bright red, like a cockscomb. She has on six rings, three gold and three platinum, a gold necklace and a string of pearls. She's fleshed out