was even allowed to own a peregrine falcon; and how this part of Colorado was a prime nesting spot for the prairie falcon, a cousin of the peregrine and every bit as majestic, he said, a thing of beauty. And then, against their better judgment, both Mimi and Don found themselves fascinated, as if they were being let in on one of the great private worlds of a place they were only just beginning to understand. Their new friend made it sound like a cultish thing, an archaic pastime practiced today by a secretive few. He and his friends were taming the same sorts of wild birds once tamed by Genghis Khan, Attila the Hun, Mary Queen of Scots, and Henry VIII—and they were doing it very much the same way.
In truth, Don and Mimi may have come to Colorado Springs about fifty years too late. Back then, this part of the state had been an agreeable destination for, among others, Marshall Field, Oscar Wilde, and Henry Ward Beecher, all of whom came to take in some of the natural wonders of the American West. There was Pikes Peak, the fourteen-thousand-foot summit named for an explorer, Zebulon Pike, who never actually made it to the top. There was the Garden of the Gods, the looming natural arrangement of sandstone rock outcroppings that seem staged for maximum effect, like the heads on Easter Island. And there was Manitou Springs, where some of the wealthiest, most refined Americans came to partake of the latest pseudoscientific cures. But by the time Don and Mimi arrived, in the winter of 1951, the elite sheen of the place had long worn away, and Colorado Springs had gone back to being a drought-ridden, small-minded outpost of a town—such a tiny pinpoint on the map that when the Boy Scout international jamboree was held there, the jamboree was bigger than the town.
So for Don and Mimi to happen upon such a grand tradition right under their noses—the mark of nobility and royalty, right there, in the middle of nowhere—sent shock waves through them both, feeding into their shared love of culture and history and sophistication. They were goners. But joining that club took some time. Aside from Doc Stabler, no one was willing to talk about falconry with the Galvins. Falconry was so exclusive, it seemed, that conventional bird-watching groups of the time had yet to embrace the pursuit of these particular birds.
Mimi could never remember how, but Don got his hands on a copy of Baz-nama-yi Nasiri, a Persian falconry text that only in the past few decades had been translated into English. From that book, he and Mimi learned to build their first trap, a dome made of chicken wire, affixed to a circular frame the size of a hula hoop. Following the instructions, they staked a few dead pigeons inside the trap as bait, with wires of fishing line hanging from the chicken wire above. At the end of each line, they tied slipknots to catch any bird who fell for the ruse.
Their first customer, a red-tailed hawk, flew off, carrying the whole trap behind it; their English setter ran after it and tracked it down. This was the first wild bird that Mimi ever held in her hand. Like a dog chasing a fire truck, she had no idea what to do if she caught one.
Back to Doc Stabler she went, hawk in hand. “Well, you did pretty well,” he said. “Now sew the eyelids together.”
Stabler explained that a falcon’s eyelids protect them as they dive at speeds upward of two hundred miles per hour. But in order to train a hawk or falcon the way Henry VIII’s falconers did it, the bird’s eyelids should be temporarily sewn shut. With no visual distractions, a falcon can be made dependent on the will of a falconer—the sound of his voice, the touch of his hands. The zoologist cautioned Mimi: Be careful the stitches aren’t too tight or too loose, and that the needle never pricks the hawk’s eyes. There seemed any number of ways to make a hash of the bird. What, again, brought Mimi to this moment?
She was frightened, yet not entirely unprepared. Mimi’s mother had made dresses during the Depression—even ran her own business—and she had made sure her daughter knew a few