against Victor Markham's estate and her father. His terminal illness gives her an even clearer connection to the suit: Half of whatever money Willie gets will come straight out of her inheritance.
"I'm frightened, Andy. I'm afraid I'm going to lose everything."
"Nicole," I say, "we shouldn't be having this conversation." That is understating the case; it is completely inappropriate and unethical.
"I've lost so much already."
I don't point out to her that her father is astonishingly wealthy, that the most generous jury verdict imaginable for Willie would still leave her with close to two hundred million dollars. She has to know this; she is not a stupid or uninformed woman. But her fear is so powerful that it is completely blinding her.
Her plea presents me with a curious ethical dilemma. The issue isn't whether I will be less vigorous on Willie's behalf; I will not. But Nicole's revealing her frightened mind-set to me presents me with a clear tactical advantage. To know that the opposition is so frightened is to know how far they can be squeezed. Can I wipe that from my mind? Should I?
"Nicole, you're hurting your negotiating position."
She's offended. "Negotiating? Is that what we're doing? After all these years, we're negotiators?"
"Nicole, talk to me through your lawyer. And my advice is to tell him what you've told me. It's a piece of information he should have."
She shakes her head in disagreement. "Andy--"
I cut her off. "I'm sorry, but this conversation is over. One of us is now going to leave. Do you want it to be you or me?"
She doesn't say another word, just gets up and walks out. I wait five minutes, then do the same.
I'm starting to become more comfortable with my personal connection to Laurie's case, and on the way back to the house I'm able to focus on that case as I would any other. I view it as a competitive puzzle, to be played with strategy and discipline and logic. Always logic.
Actually, my type of logical approach is more appropriate here than in any case I've ever had. I view every detail, every piece of the puzzle, as if it had been planned. In my mental world there is no room for coincidence, or even happenstance. Every fact, no matter how small, must be related to the case and significant. Of course, after analysis much turns out to actually be happenstance and/or insignificant, but it helps me attack the case to assume otherwise.
For instance Garcia was set up to be the police's first suspect. I agree with Kevin that Garcia was chosen to make Laurie look even guiltier, and Stynes was sent to draw myself and Laurie into his defense, and for this to work, Garcia had to seem guilty. If, say, he had been at a party or restaurant with a bunch of friends when Dorsey was thought to have been killed, he could not have been charged, and I would not have rushed to his defense. Dorsey had to have known with certainty where Garcia would be; it couldn't have been left to chance.
Since at the time of the murder Garcia was paying off Petrone's men, I have to make the assumption that Petrone or his underlings were part of this conspiracy. Garcia had said that they usually came to him to collect, but that night he had been summoned to them. I believe that if the tape from the supermarket had not surfaced, some other fact would have come up, clearing Garcia and opening the way for Laurie to be charged.
Following this to its logical conclusion, Dorsey and Petrone, or people working for Petrone, were in this together. But why? Dorsey benefits in obvious ways. He gets to safely disappear, while at the same time getting revenge against Laurie. But what does Petrone get out of this? Does he have any reason to hate Laurie? How does he benefit from Dorsey's successful escape?
All cases are a series of questions and answers. Early on there are far more questions, and the answers are few and far between. Eventually, the answers start to come, and the questions get fewer. If I can tip that scale far enough, I solve the puzzle and win the game. First prize is Laurie not having to spend the rest of her life in prison.
As I reach the house, it seems as if the press contingent stationed outside has gotten substantially larger. There are at least two additional camera trucks, which make it difficult for me to enter