said, “Stay out of trouble.”
She flashed him a smile that said she wouldn’t, of course.
And then she tugged up her collar, shoved her hands into her pockets, and strolled away.
Kell watched her go.
She never once looked back.
* * *
Delilah Bard was finally free.
She thought of the map back in London—Grey London, her London, old London—the parchment she’d left in the cramped little room at the top of the stairs in the Stone’s Throw. The map to anywhere. Isn’t that what she had now?
Her bones sang with the promise of it.
Tieren had said there was something in her. Something untended. She didn’t know what shape it would take, but she was keen to find out. Whether it was the kind of magic that ran through Kell, or something different, something new, Lila knew one thing:
The world was hers.
The worlds were hers.
And she was going to take them all.
Her eyes wandered over the ships on the far side of the river, their gleaming sides and carved masts tall and sharp enough to pierce the low clouds. Flags and sails flapped in the breeze in reds and golds, but also greens and purples and blues.
Boats with royal banners, and boats without. Boats from other lands across other seas, from near and far, wide and away.
And there, tucked between them, she saw a proud, dark ship, with polished sides and a silver banner and sails the color of night, a black that hinted at blue when it caught the light just so.
That one, thought Lila with a smile.
That one’ll do.
ACKNOWLEDGMENTS
We think of authors as solitary creatures hunched over work in cramped but empty rooms, and while it’s true that writing is a pursuit most often done alone, a book is the result not of one mind, or pair of hands, but of many. To thank every soul would be impossible, but there are some I cannot forget to mention. They are as much responsible for this book as I am.
To my editor, Miriam, my partner in crime, for loving Kell and Lila and Rhy as much as I do, and for helping me pave the foundation of this series with blood, shadow, and stylish outfits. A great editor doesn’t have all the answers, but they ask the right questions, and you are a truly great editor.
To my agent, Holly, for being such a wonderful advocate of this strange little fantasy, even when I pitched it as pirates, thieves, sadist kings, and violent magic-y stuff. And to my film agent, Jon, for matching Holly’s passion stride for stride. No one could ask for better champions.
To my mother, for wandering the streets of London with me in Kell’s footsteps, and to my father, for taking me seriously when I said I was writing a book about cross-dressing thieves and magical men in fabulous coats. In fact, to both of my parents, for never scoffing when I said I wanted to be a writer.
To Lady Hawkins, for traipsing with me through the streets of Edinburgh, and to Edinburgh, for being its magical self. My bones belong to you.
To Patricia, for knowing this book as well as I do, and for always being willing and able eyes, no matter how rough the pages.
To Carla and Courtney, the best cheerleaders—and the best friends—a neurotic, caffeine-addicted author could ask for.
To the Nashville creative community—Ruta, David, Lauren, Sarah, Sharon, Rae Ann, Dawn, Paige, and so many others—who welcomed me home with love and charm and margaritas.
To Tor, and to Irene Gallo, Will Staehle, Leah Withers, Becky Yeager, Heather Saunders, and everyone else who has helped to make this book ready for the world.
And to my readers, both the loyal and the new, because without you, I’m just a girl talking to myself in public.
This is for you.
ABOUT THE AUTHOR
Victoria “V.E.” Schwab is the product of a British mother, a Beverly Hills father, and a southern upbringing. Because of this, she has been known to say “tom-ah-toes”, “like”, and “y’all”. She also suffers from a wicked case of wanderlust, made worse by the fact that wandering is a good way to stir up stories. When she’s not haunting Paris streets or trudging up English hillsides, she’s usually tucked in the corner of a coffee shop, dreaming up monsters. She is the author of several books for teens, including The Near Witch, about a village where the children begin to disappear, and The Archived series, about a library of the dead. Her first book for adults, Vicious, was named a Best Book of