in that car,' I said. 'You knew it, and you planned to use Arnie from the very beginning - except that "planned" is the wrong word, because you never really planned anything, did you? You just followed your intuitions.'
He made a snarling sound and turned to go.
'You really want to think about it,' I called after him. 'Arnie's father knows something is rotten. So does mine. I think there must be some police somewhere who'd be willing to listen to anything about how their friend Junkins died. And it all comes back to Christine, Christine, Christine. Sooner or later someone's going to run her through the crusher in the back of Darnell's just on general principles.'
He had turned back and was looking at me with a bright mixture of hate and fear in his eyes.
'We'll keep talking, and a lot of people will laugh at us, I don't doubt it. But I've got two pieces of cast with Arnie's signature on them. Only one of them isn't his. It's yours. I'll take them to the state cops and keep pestering them until they have a handwriting specialist confirm that. People are going to start watching Arnie. People are going to start watching Christine too. You get the picture?'
'Sonny, you don't worry me one fucking bit.' But his eyes said something different. I was getting to him, all right.
'It's going to happen,' I said. 'People are only rational on the surface. They still toss salt over their left shoulder if they spill the shaker, they don't walk under ladders, they believe in survival after death. And sooner or later - probably sooner, with Leigh and me shooting off our mouths - someone is going to turn that car of yours into a sardine can. And I'm willing to bet that when it goes, you'll go with it.'
'Don't you just wish!' he sneered.
'We'll be at Darnell's tonight,' I said.' If you're good, you can get rid of both of us. That won't end it either, but it might give you some breathing space . . . time enough to get out of town. But I don't think you're good enough, chum. It's gone on too long. We're getting rid of you.'
I crutched back to my Duster and got in. I used the crutches more clumsily than I had to, tried to make myself look more incapacitated than I really was. I had rocked him by mentioning the signatures; it was time to leave before I overplayed my hand. But there was one more thing. One thing guaranteed to drive LeBay into a frenzy.
I pulled my left leg in with my hands, slammed the door, and leaned out.
I looked into his eyes and smiled.
'She's great in bed,' I said. 'Too bad you'll never know.
With a furious roar, he charged at me. I rolled up the window and slapped down the door-lock. Then, leisurely, I started the engine while he slammed his gloved fists on the glass. His face was snarling, terrible. There was no Arnie in it now. No Arnie at all. My friend was gone. I felt a dark sorrow that was deeper than tears or fear, but I kept that slow, insulting, dirty grin on my face. Then, slowly, I raised my middle finger to the glass.
'Fuck you, LeBay,' I said, and then pulled out, leaving him to stand there in the lot, shaking with that simple, unswerving fury his brother had told me of. It was that more than anything else that I was counting on to bring him tonight.
We'd see.
PART III: CHRISTINE - TEENAGE DEATH-SONGS Chapter 50 PETUNIA
Something warm was running in my eyes
But I found my baby somehow that night,
I held her tight, I kissed her our last kiss . . .
- J. Frank Wilson and the Cavaliers
I drove about four blocks before the reaction set in, and then I had to pull over. I had the shakes, bad. Not even the heater, turned up to full, could kill them. My breath came in harsh little gasps. I clutched myself to keep warm, but it seemed that I would never be warm again, never. That face, that horrible face, and Arnie buried somewhere inside, he's always here, Arnie had said, always except when - what? When Christine rolled by herself, of course. LeBay couldn't be both places at the same time. That was beyond even his powers.
At last I was able to drive on again, and I wasn't even aware that I had been crying until