whole problem was that they were not arrogant enough: they assumed far too easily that the world was fundamentally incomprehensible to them.
The misconception that there was once an unproblematic era for humans is present in ancient myths of a past Golden Age, and of a Garden of Eden. The theological notions of grace (unearned benefit from God) and Providence (which is God regarded as the provider of human needs) are also related to this. In order to connect the supposed unproblematic past with their own less-than-pleasant experiences, the authors of such myths had to include some past transition, such as a Fall from Grace when Providence reduced its level of support. In the Spaceship Earth metaphor, the Fall from Grace is usually deemed to be imminent or under way.
The Principle of Mediocrity contains a similar misconception. Consider the following argument, which is due to the evolutionary biologist Richard Dawkins: Human attributes, like those of all other organisms, evolved under natural selection in an ancestral environment. That is why our senses are adapted to detecting things like the colours and smell of fruit, or the sound of a predator: being able to detect such things gave our ancestors a better chance of surviving to have offspring. But, for the same reason, Dawkins points out, evolution did not waste our resources on detecting phenomena that were never relevant to our survival. We cannot, for instance, distinguish between the colours of most stars with the naked eye. Our night vision is poor and monochromatic because not enough of our ancestors died of that limitation to create evolutionary pressure for anything better. So Dawkins argues – and here he is invoking the Principle of Mediocrity – that there is no reason to expect our brains to be any different from our eyes in this regard: they evolved to cope with the narrow class of phenomena that commonly occur in the biosphere, on approximately human scales of size, time, energy and so on. Most phenomena in the universe happen far above or below those scales. Some would kill us instantly; others could never affect anything in the lives of early humans. So, just as our senses cannot detect neutrinos or quasars or most other significant phenomena in the cosmic scheme of things, there is no reason to expect our brains to understand them. To the extent that they already do understand them, we have been lucky – but a run of luck cannot be expected to continue for long. Hence Dawkins agrees with an earlier evolutionary biologist, John Haldane, who expected that ‘the universe is not only queerer than we suppose, but queerer than we can suppose.’
That is a startling – and paradoxical – consequence of the Principle of Mediocrity: it says that all human abilities, including the distinctive ones such as the ability to create new explanations, are necessarily parochial. That implies, in particular, that progress in science cannot exceed a certain limit defined by the biology of the human brain. And we must expect to reach that limit sooner rather than later. Beyond it, the world stops making sense (or seems to). The answer to the question that I asked at the end of Chapter 2 – whether the scientific revolution and the broader Enlightenment could be a beginning of infinity – would then be a resounding no. Science, for all its successes and aspirations, would turn out to be inherently parochial – and, ironically, anthropocentric.
So here the Principle of Mediocrity and Spaceship Earth converge. They share a conception of a tiny, human-friendly bubble embedded in the alien and uncooperative universe. The Spaceship Earth metaphor sees it as a physical bubble, the biosphere. For the Principle of Mediocrity, the bubble is primarily conceptual, marking the limits of the human capacity to understand the world. Those two bubbles are related, as we shall see. In both views, anthropocentrism is true in the interior of the bubble: there the world is unproblematic, uniquely compliant with human wishes and human understanding. Outside it there are only insoluble problems.
Dawkins would prefer it to be otherwise. As he wrote:
I believe that an orderly universe, one indifferent to human preoccupations, in which everything has an explanation even if we still have a long way to go before we find it, is a more beautiful, more wonderful place than a universe tricked out with capricious ad hoc magic.
Unweaving the Rainbow (1998)
An ‘orderly’ (explicable) universe is indeed more beautiful (see Chapter 14) – though the assumption that to be orderly it