of decomposing meat, and spreading out in front of Puppetman like a rotting banquet.
Gregg had to get Mackie away quickly or the tenuous hold he had on himself would be entirely gone.
"Out," Gregg repeated desperately. "Ellen's here." Mackie's mouth twisted, a sneer. He fidgeted, restlessly shifting his weight from foot to foot. "Yeah. I know. In the other room watching goddamn TV. They were showing Chrysalis's funeral. I saw her but she didn't see me. I could've buzzed her easy." He licked his lips. His nervous stare flicked across Gregg's body like a whip as Puppetman hammered again at the bars. "I don't know where Morgenstern is," he said at last.
"Then go find her."
"I wanted to see you." Mackie whispered it like a lover, a voice of velvet sandpaper. The lust was honeyed syrup, golden and rich and sweet.
Puppetman screeched in need. The bars in Gregg's mind started to crumble. "Get out of here," he hissed between clenched teeth. "You didn't get Downs, now you tell me you can't find Sara. What the hell good are you to me? You're just a useless punk, with or without your ace."
He'd always been easy with Mackie, placating the kid, feeding his ego. Even with Puppetman controlling the hunchback's emotions, he'd been afraid of Mackie; using him was like juggling nitroglycerine: it looked easy, but he was aware that he would only get one mistake. Gregg thought he might have made it now. Mackie's face had gone grim and cold. The lust did a quicksilver change to something simpler and more dangerous. Mackie's right hand was beginning to vibrate unconsciously as a threatening whine shivered the air.
"No," Mackie said, shaking his head. "You don't know. You're the Man. I love--"
Gregg cut him off. If there was going to be an explosion, it might as well be a big one. "I told you to take out two people who are a danger to us. They're both walking around now while you're telling me how good you are and how much I mean to you."
Mackie blinked. Twitched. "You're not listening-"
"No, I'm not. And I won't listen until all the loose ends are taken care of. You understand that?"
Mackie took a halting step toward Gregg, his hand up. The fingers were a dangerous blur.
Gregg stared him down. It was absolutely the hardest thing he'd ever done. Puppetman was a berserk thing behind his eyes, gibbering and frothing with the closeness of Mackie and the emotional backwash spilling around him. Gregg knew that he had only seconds before Puppetman surfaced entirely, before the mental bonds reversed and he would be the one underneath. Yet while he held Puppetman, there were no controls on Mackie and no way to dampen the madness. If the ace took another step, if he swiped at Gregg with that hand ...
Gregg shuddered with effort.
"Come to me afterward, Mackie," he whispered. "After it's all done, not before."
Mackie lowered his hand, his eyes. The red violence around him faded slightly.
"All right," he said softly. "You're the Man. Yes." He reached out with his hand, safely quiet now, and Gregg fought the impulse to back away and run. He concentrated on holding Puppetman for just a moment longer.
Mackie's dry fingertips traced Gregg's cheek with a strange tenderness, dragging across stubble.
Gregg closed his eyes.
When he opened them again, Mackie was already gone.
Drawing his fingers down the strings, Tachyon pulled a sigh of music from the violin. The Secret Service agent swung his head in that heavy slow way of a bull confronting an irritant. Tach nodded politely to him. The man brightened considerably, cast a furtive glance over his shoulder, and quickstepped to where the alien was sitting cross-legged on the floor outside Fleur's room. Sounds of revelry drifted down the hall from a nearby room party.
"Hi."
"Hello."
"My daughter's crazy about you, and she'll kill me if she finds out I met you and hadn't gotten your autograph. Would you mind?"
"No, I'd be delighted." Tach pulled a notebook from his pocket. "Her name?"
"Trina. "
For Trina with love. He signed his name with a flourish. "Uh, excuse me, but what are you doing out here?"
"I'm going to play the violin for the lady in that room."
"Oh, a little romance, huh?"
"I hope. I won't make any trouble, sir. May I stay?" The agent shrugged. "Yeah, what the hell. But if people complain-"
"Not to worry."
Tach lifted his bow, tucked the violin beneath his chin. A few years ago he had arranged Chopin's Etude in A flat for solo violin. The