these years later, for it had been in her English class that he realized he was utterly unremarkable. She gave Mark Spitz and his classmates a vocab test every Thursday—“Use this word from the assigned reading in a sentence”—and by December it was hard not to notice the pattern. He was a thorough, inveterate B. It was his road. He studied for hours and there it waited for him, circled in red ink, oddly welcoming, silently forgiving. Or he refused to open his books and gorged instead on a prime-time platter of sitcoms: he’d still get a B. It was a little play he performed each week and he hit his marks instinctively, stalking the boards of mediocrity. He was not unintelligent; in fact, his instructors agreed that he was often quite perceptive and canny in his contributions to discussion, a “true pleasure to have in the classroom.” The adjectives in his report cards, drawn from a special teachers’ collection of mild yet approving modifiers, described an individual of broader gifts than implied by the grades delivered at the end of each term. All the parts were there. Extra screws, even. There was just something wrong in the execution.
Over the years, Mark Spitz reconciled himself to his condition. It took the pressure off. A force from above held him down, and a counterforce from below bore him aloft. He hovered on unexceptionality.
He zipped up the corpse that resembled, under the blood and contorted features, his elementary-school teacher and then he remembered. He looked around and crawled to the copier and retrieved its wig. He unzipped the black bag and dropped it on its face.
He tossed Gary a body bag and the mechanic grabbed the feet of the faceless skel. Mark Spitz got started on the Marge. He looked into her black teeth. His arm still flared in the aftermath of its assault, even though the lattice of fibers in his fatigues had absorbed most of the pressure. He didn’t want to see what his bicep looked like under there. He’d probably have to tape a chemical compress around it for a week.
The Marge’s broken teeth tilted hideously from its gums. He thought of the crumbling pilings across the water. Last month they’d swept the big apartment complexes of Battery Park, that crop of edifices jabbed deep into landfill. The western face of the buildings bristled with rows of terraces overlooking Jersey City. The week they worked that development, he stepped out on the balconies for air and stared at the withered stunts of the old Jersey docks. Remnants of a dead, seafaring era of trade and commerce. What a view. Make it to the edges of the island and the Palisades, Brooklyn, the Statue of Liberty scrolled before you in their stillness. (Give me your poor, your hungry, your suppurating masses yearning to eat.) What percentage of the residents’ lips had formed, at one point or another, the syllables of a sweet, awestruck “What a view”? How could it be any less than a hundred percent. It was a banality no one could elude. What percentage of the residents surged with pride as they darted between the kitchenette and the living room to replenish the hors d’oeuvres when their guests whispered “What a view”? One hundred percent. The citizens were programmed by the vista-less city to utter such things at the correct triggers, so diminished were they from crippled horizons.
After four flights, Mark Spitz had the complex’s blueprints in his pocket, a super’s knowledge of the identical layouts of the apartments in their distinct lines. Windowless office nook or nursery, bathroom on the right, second bedroom at the end of the hall with a coffin-size closet. He recognized the area rugs and sconces and accent tables, for the residents had all shopped at the same popular furniture emporiums the rest of the country shopped at. They had shambled through the identical outlet showrooms and tested the same sofas with their asses, clicked through the dropdown menus of the same online purveyors, broadband willing, zooming in on See in a Room and mentally arranging the merchandise according to the same floor plans. In the D-line apartment on the sixth floor he discovered the plaid ottoman he came across in the A-line apartment on the fourteenth floor, an identical distance from the flat-screen television. They had been a community.
The only thing that truly changed was the view of Jersey, easing in perspective as his unit moved down the stairs from penthouse god