The Zahir Page 0,13
'Are you happy?'"
"No. I have the woman I love, the career I always dreamed of having, the kind of freedom that is the envy of all my friends, the travel, the honors, the praise. But there's something..."
"What?"
"I have the idea that, if I stopped, life would become meaningless."
"You can't just relax, look at Paris, take my hand and say: I've got what I wanted, now let's enjoy what life remains to us."
"I can look at Paris, take your hand, but I can't say those words."
"I bet you everyone walking along this street now is feeling the same thing. The elegant woman who just passed us spends her days trying to hold back time, always checking the scales, because she thinks that is what love depends on. Look across the street: a couple with two children. They feel intensely happy when they're out with their children, but, at the same time, their subconscious keeps them in a constant state of terror: they think of the job they might lose, the disease they might catch, the health insurance that might not come up with the goods, one of the children getting run over. And in trying to distract themselves, they try as well to find a way of getting free of those tragedies, of protecting themselves from the world."
"And the beggar on the corner?"
"I don't know about him. I've never spoken to a beggar. He's certainly the picture of misery, but his eyes, like the eyes of any beggar, seem to be hiding something. His sadness is so obvious that I can't quite believe in it."
"What's missing?"
"I haven't a clue. I look at the celebrity magazines with everyone smiling and contented, but since I am myself married to a celebrity, I know that it isn't quite like that: everyone is laughing and having fun at that moment, in that photo, but later that night, or in the morning, the story is always quite different. 'What do I have to do in order to continue appearing in this magazine?' 'How can I disguise the fact that I no longer have enough money to support my luxurious lifestyle?' 'How can I best manipulate my luxurious lifestyle to make it seem even more luxurious than anyone else's?' 'The actress in the photo with me and with whom I'm smiling and celebrating could steal a part from me tomorrow!' 'Am I better dressed than she is? Why are we smiling when we loathe each other?' 'Why do we sell happiness to the readers of this magazine when we are profoundly unhappy ourselves, the slaves of fame.'"
"We're not the slaves of fame."
"Don't get paranoid. I'm not talking about us."
"What do you think is going on, then?"
"Years ago, I read a book that told an interesting story. Just suppose that Hitler had won the war, wiped out all the Jews and convinced his people that there really was such a thing as a master race. The history books start to be changed, and, a hundred years later, his successors manage to wipe out all the Indians. Three hundred years later and the Blacks have been eliminated too. It takes five hundred years, but, finally, the all-powerful war machine succeeds in erasing all Asians from the face of the earth as well. The history books speak of remote battles waged against barbarians, but no one reads too closely, because it's of no importance.
"Two thousand years after the birth of Nazism, in a bar in Tokyo, a city that has been inhabited for five centuries now by tall, blue-eyed people, Hans and Fritz are enjoying a beer. At one point, Hans looks at Fritz and asks: 'Fritz, do you think it was always like this?'
"'What?' asks Fritz.
"'The world.'
"'Of course the world was always like this, isn't that what we were taught?'
"'Of course, I don't know what made me ask such a stupid question,' says Hans. They finish their beer, talk about other things and forget the question entirely."
"You don't even need to go that far into the future, you just have to go back two thousand years. Can you see yourself worshipping a guillotine, a scaffold, or an electric chair?"
"I know where you're heading - to that worst of all human tortures, the cross. I remember that Cicero referred to it as 'an abominable punishment' that inflicted terrible suffering on the crucified person before he or she died. And yet, nowadays people wear it around their neck, hang it on their bedroom wall, and have come to identify it as