through the window, seeing the graffiti scrawled on the walls and across the buildings, she wondered if her books had gotten it wrong, whether Mama had been right all along when she’d said the world would be disappointing regardless of where she stood.
“We live in Bay Ridge,” Adam said as the cabdriver stopped beside a row of old brick houses. Isra, Fareeda, and Sarah stood on the sidewalk while the men unloaded the suitcases. Adam held Isra’s suitcase in one hand and gestured around the block with the other. “Many of the Arabs in New York live in this neighborhood,” he said. “You’ll feel right at home.”
Isra surveyed the block. Adam’s family lived on a long, tree-lined street with row houses stacked against one another like books on a shelf. Most of the homes were made of red brick and curved in the front. They had two stories and a basement, with a short, narrow staircase leading to the front door on the first floor. Iron gates separated the houses from the sidewalk. It was a well-kept neighborhood—there were no open gutters or garbage littering the street, and the roads were paved, not dirt. But there was hardly any greenery—only a row of London planes lining the walk. No fruit to pick, no balcony, no front yard. She hoped there was at least a backyard.
“This is it,” Adam said when they reached the front gate of a house numbered 545.
Adam opened the front door and led her inside. “The houses here are quite cramped,” he said as they walked down the hall. Isra silently agreed. She could see the entire first floor from the hall. There was a sala to her left, and farther down, a kitchen. To her right was a stairway leading to the second floor, and behind it, almost hidden, a bedroom.
Isra looked around the living room. Though it was much smaller than her parents’ sala back home, it was decorated as though it were a mansion. The floor was covered with a Turkish rug, crimson with a gold pattern in the center. The same pattern was on the burgundy couches, the red throw pillows, and the long, thick curtains lining the windows. A worn leather sofa sat in the corner of the room, as though forgotten, with a shiny gold vase nestled beside it.
“Do you like it?” Adam asked.
“It’s beautiful.”
“I know it’s not bright and airy like the houses back home.” His eyes settled on the windows, which were hidden behind the curtains. “But this is how things are here, what can we do?”
There was something in his voice, and Isra found herself thinking of the day on the balcony, the way his eyes had chased the grapevines, taking in the open scenery. She wondered whether he longed to return to Palestine, whether he wanted to move back home one day.
“Do you miss home?” The sound of her voice startled her, and she dropped her eyes to the floor.
“Yes,” Adam said. “I do.”
Isra looked up to see that he was still staring at the curtains. “Would you ever move back?” she asked.
“Maybe one day,” he said. “If things got better.” He turned away and walked down the hall. Isra followed.
“My parents stay here on the first floor,” Adam said, pointing to the bedroom. “Sarah and my brothers sleep upstairs.”
“Where will we stay?” she asked, hoping her bedroom had a window.
He pointed to a closed door down the hallway. “Downstairs.”
Adam opened the door and signaled her to go down. She did, all the while wondering how they could live in a basement. If there was barely enough light upstairs, what would the basement be like? She peered down the shallow steps. At once, she was overwhelmed with darkness. She put both hands in front of her and descended, the light cast from the doorway fading with each step. She reached the bottom of the stairs and fumbled against the wall in search of a light switch. Cold crept through her fingertips until she found it and flicked it on.
A large, gold mirror hung on the wall directly in front of her. It seemed odd that anyone should place a mirror in such a dreary, uninhabited place. What good was a mirror in the middle of the dark with no light to reflect?
She entered the first room of the basement, surveying the dim space. The room was narrow and empty—four gray walls, bare with the exception of a window to her left and, in the center of the