sound of our giggling receded into the distance. How badly we’d thought we were behaving then! How innocent and ineffectual these tiny rebellions seemed to me now that I was preparing for marriage.
* * *
—
As the summer wore on, Aunt Lise taught us the basics of interior decorating, though the final choices about the style of our homes would of course be made by our husbands. She then taught us flower arrangement, the Japanese style and the French style.
By the time we got to the French style, Becka was deeply dejected. Her wedding was planned for November. The man selected for her had paid his first visit to her family. He’d been received in their living room, and had made small talk with her father while she’d sat there silently—this was the protocol, and I would be expected to do the same—and she said he’d made her flesh crawl. He had pimples and a scraggly little moustache, and his tongue was white.
Shunammite laughed and said it was probably toothpaste, he must have brushed his teeth just before coming because he wanted to make a good impression on her, and wasn’t that sweet? But Becka said she wished she was ill, severely ill with something not only prolonged but catching, because then any proposed wedding would have to be called off.
On the fourth day of French-style flower-arranging, when we were learning to do symmetrical formal vases with contrasting but complementary textures, Becka slashed her left wrist with the secateurs and had to be taken to the hospital. The cut wasn’t fatally deep, but a lot of blood came out nonetheless. It ruined the white Shasta daisies.
I’d been watching when she did it. I could not forget her expression: it had a ferocity I had never seen in her before, and which I found very disturbing. It was as if she’d turned into a different person—a much wilder one—though only for a moment. By the time the paramedics had come and were taking her away, she’d looked serene.
“Goodbye, Agnes,” she’d said to me, but I hadn’t known how to answer.
“That girl is immature,” said Aunt Lise. She wore her hair in a chignon, which was quite elegant. She looked at us sideways, down her long patrician nose. “Unlike you girls,” she added.
Shunammite beamed—she was all set to be mature—and I managed a little smile. I thought I was learning how to act; or rather, how to be an actress. Or how to be a better actress than before.
XI
Sackcloth
The Ardua Hall Holograph
29
Last night I had a nightmare. I have had it before.
Earlier in this account I said that I would not try your patience with a recital of my dreams. But as this one has a bearing on what I am about to tell you, I will make an exception. You are of course fully in control of what you choose to read, and may pass over this dream of mine at will.
I am standing in the stadium, wearing the brown dressing-gown-like garment that was issued to me in the repurposed hotel during my recovery from the Thank Tank. Standing in a line with me are several other women in the same penitential garb, and several men in black uniforms. Each of us has a rifle. We know that some of these rifles contain blanks, some not; but we will all be killers nonetheless, because it’s the thought that counts.
Facing us are two rows of women: one standing, one kneeling. They are not wearing blindfolds. I can see their faces. I recognize them, each and every one. Former friends, former clients, former colleagues; and, more recently, women and girls who have passed through my hands. Wives, daughters, Handmaids. Some have missing fingers, some have one foot, some have one eye. Some have ropes around their necks. I have judged them, I have passed sentence: once a judge, always a judge. But they are all smiling. What do I see in their eyes? Fear, contempt, defiance? Pity? It’s impossible to tell.
Those of us with rifles raise them. We fire. Something enters my lungs. I can’t breathe. I choke, I fall.
I wake up in a cold sweat, heart pounding. They say that a nightmare can frighten you to death, that your heart can literally stop. Will this bad dream kill me, one of these nights? Surely it will take more than that.
* * *
—
I was telling you about my seclusion in the Thank Tank and the luxurious experience in the hotel room that