own her entirely. A man don’t rent a silver mine. He buys it right out.
He attired himself in a fine new suit sent by coach from San Francisco along with jewelry, gowns, and other items indicating his affection, for he was prepared to make her a civilized woman. He would put silk on her body and emerald combs in her hair. He would teach her to read Shakespeare and encourage her to play out the part of wild Titania in his parlor at home, naked save for a belt of violets. He would instruct her in the saying of the Lord’s Prayer and the keeping of the Sabbath; he would deliver to heaven a sterling modest maid. The anticipation of transforming her inspired a pleasure so sharp that Mr. H necessitated an entire afternoon to recover from it.
When Mr. H deemed the great moment of his matrimonials to have drawn close, he rode out on his combed and curried horse across the Bighorn River to the village of Gun That Sings’s people. Mr. H had often purchased meat and horses from Indians at what he considered a fair price and foresaw no trouble. The card-men at the Bear Gulch Hotel had informed him that the Crow allow their women to rule like heathen Cleopatras, and so Mr. H addressed himself to an old and august lady he spied leading a horse to pasture, requesting the presence of his bride-to-be.
When Gun That Sings was produced, Mr. H suffered some disappointment. She would not look at him, but kept her eyes fixed on the dirt. Her braids caught the winter light and seemed now not only as rich as coal but veined with liquid silver. Mr. H felt a powerful need. He behaved himself as though to a white woman. He presented his prospects to the maiden’s mother, his silver mine, his hopes for Dakota, his colleagues in Sacramento, his friends in Washington. As he described himself, the resolve of Mr. H hardened along with his impression of his own endowments, and he lost any doubt that he would be married before the night. Only an addled woman would despise the ring of such an excellent example of frontiersman quality.
I do not know what Gun That Sings said to him. If I had my rather, I would put words in her like bullets. I know she spurned him. That I do know.
Mr. H recovered his pride on the quick. Sometimes a man finds it necessary to work a claim for a space before it gives up the blue. He returned to his rooms to collect the bride gifts that would ensure her. Mr. H chose a gown like the sun to represent him. It sported a high bustle as was the fashion in the city, with sharp pleating at the skirt-hem and a neckline I would not wear if it were stitched in paper money. But the color did not recall the wholesome sun of spring. Its model was instead the terrible inferno of the sun itself, hanging in black space like a Utah ruby, erupting into eternity, pocked with lava.
Once again, Mr. H rode out past the river and presented the baleful dress to Gun That Sings. She looked on it and began to shake in her shoes. Mr. H pressed the gown upon her but she wept bitterly into the cloth and said to her mother: “These are white woman’s clothes. Put them in the river; I will burn up inside them.”
Mr. H brought next a gown like the moon. This one presented a wasp waist and high lace collar. So much fabric in that skirt it bent a back to lift it over its skeleton-hoop of leather and wire. The shimmer of it took after the moon itself, hard and without poetry, stuck in the orbit of the thoughtless earth like a California pearl. Mr. H lay the dress across the flank of his horse like a stolen girl and forded the Bighorn to lay it out for Gun That Sings. She trembled something fearful and tore the brocade wrestling herself free. She said to her mother: “These are clothes for a white woman. Give them to a white woman. Put them in the fire; I will choke on them.”
Mr. H suffered no discouragement for desire speaks louder than decorum. He drew from his trunk a gown like the stars at night. Its long sleeves and gathered skirt were black as Bibles, stitched all over with tiny crystals. In