complications, she most likely will be able to go home today.”
“I want to stay with her,” I say, bracing myself for a fight. There’s no way I’m going to leave her side.
“Of course,” Dr. Soto says and drags a chair from the corner of the room and situates it right next to the examination table. “Judy here will take care of you. I’ll be back in just a bit.” Dr. Soto briefly puts a reassuring hand on my shoulder and exits the room. I sit down next to Violet, who still doesn’t seem to register my presence. Judy, a woman around my age with deep commas etched into the corners of her mouth, speaks to Violet in a low, soothing voice.
“A little pinch here, Violet,” she says and I wince when she inserts a needle in the crook of Violet’s arm. She doesn’t even flinch. Judy draws several vials of blood and then sets up an IV drip of clear liquid. Then she reaches down with gloved hands and picks up Violet’s shorn clothing. I expect her to toss them into the wastebasket but instead she places them inside a plastic bag, seals it and affixes a label to the front. She reaches for a cell phone sitting on the metal tray and drops it into another bag and seals it shut.
“Now I’m going to get you cleaned up, Violet. Does that sound like a good plan to you?” the nurse asks. Violet gives no indication that she hears the question.
“Why won’t she answer?” I ask, tears stinging my eyes. “What’s wrong with her?”
“Like Dr. Soto said, she may be in shock. It happens sometimes when there’s a traumatic event. You’ll come around, won’t you, Violet?” The nurse smiles down at her. “We’ll have you sitting up and talking in no time. But for now we’ll keep you warm and get all cleaned up.” The nurse holds up a small blue hospital gown. “First thing we’ll do is get you into this lovely outfit.” Judy deftly dresses her, nimbly shifting Violet’s weight so she can button the gown into place. Violet is nearly swallowed up in the fabric.
“Do you know if Cora is okay?” I ask Judy, who situates a metal cart with an arrangement of paper envelopes, jars in a variety of sizes, a large tweezer, a camera and several other items I can’t identify next to Violet’s bed.
“Cora?” Judy asks. I glance over at Violet to see if hearing her friend’s name brings any reaction. It doesn’t. “I don’t know who that is.”
“She’s the other girl who was brought here. She came in an ambulance,” I explain. “She looked like she was hurt pretty badly.”
“I wouldn’t know anything about that. Let’s just focus on Violet right now,” Judy says, holding up a small spatula-shaped tool. “See this, Violet? I’m going to use this to clean your fingernails, okay? It won’t hurt a bit.” I watch while Judy uses the spatula to scrape dried blood from beneath Violet’s fingernails and deposit it within one of the paper envelopes.
This is when I understand that this nurse isn’t just treating my daughter for shock or dehydration, she’s collecting evidence. This is why they bagged up Violet’s bloody clothing and cell phone. That’s what the camera is for and the thought of others seeing photos of my daughter, half-dressed and covered in her best friend’s blood, is too much.
My stomach lurches and I leap from the chair, unable to speak. I stagger out to the hallway in search of a bathroom. Probably from the look on my face, a woman pushing a cart of cleaning supplies points me in the right direction. I make it to the toilet just in time before I start heaving. The sour taste of the chicken marsala and wine Sam and I ate fills my throat.
Who could have done this? She’s nearly catatonic and they are poking and prodding her to gather evidence. I think again of Cora, somewhere in this hospital being treated for terrible injuries. I need to know what is going on and at the same time want to know nothing. I only want to take Violet home with me and try not to think about any of this.
I sit on the floor for a minute catching my breath before pushing myself up from my knees and flushing the toilet. I try to rinse the bitter taste from my mouth with water from the tap. I run my fingers through my hair and take