constables guarded the door.
“Now, just turn on back and don’t make trouble,” one of them called as Wax approached.
Wax ignored the order, striding out of the mists and up to the men. “The caretakers called for your help, I assume?”
The two constables studied him, then reluctantly saluted. His reputation preceded him, though these men wore the patches of constables from the First Octant. It was a precinct he hadn’t often visited, but who else strode through the night in a mistcoat with a shotgun strapped to his leg?
“They’re worried about looters,” one of the constables said, a squat fellow with a half beard around his mouth. “Um, sir.”
“Wise,” Wax said, striding past them and pushing into the mausoleum.
“Uh, sir?” one of the constables said. “They said not to let … Sir?”
Wax pushed the door shut as the two constables started arguing outside about whether they should stop him or not. He scanned the open foyer, with its murals of the Originators. Hammond, the Lord Mistborn, Lady Truth, Wax’s own ancestor Edgard Ladrian. Portly and self-satisfied, in his portrait he held a cup of wine. He’d always looked like the sort of person Wax would want to punch on sight. The type who was certainly guilty of something.
Wax ignored the displays of various relics from the World of Ash, and didn’t enter the chamber that held the resting places of the Ascendant Warrior and her husband, though he did raise his gun and spin the cylinder toward them in acknowledgment. A Roughs tradition to respect the fallen.
“What’s this?” A bleary-eyed woman stepped out of a nearby room, apparently a small apartment for the caretaker. “Nobody was to be let in!”
“Routine inspection,” Wax said, striding past without looking.
“Routine? In the middle of the night?”
“You asked for constable involvement,” Wax said. “Codes require that when you ask for guards from the precinct, we have to do an inspection to make sure you don’t have contraband.”
“Contraband?” the woman asked. “This is the Originator Tomb!”
“Just doing my job,” Wax said. “You can take it up with my superiors outside, if you wish.”
She stormed out toward the front doors in a huff as Wax reached a small room unadorned with relics or plaques. The only thing in here was a hole in the ground.
It was a gaping pit fenced by a railing to keep inquisitive children from tumbling in. There was a ladder, but Wax dropped a bullet casing and jumped, falling freely a short distance before slowing himself and hitting the dark, glassy stone floor at the bottom.
A few lights dangled from the ceiling, like drips of molasses. He Pushed on a nearby light switch, causing the lights to flicker on throughout this enormous cavern. He’d visited here as a youth; every tutor brought their charges to visit, and he understood it was common in the public schools as well. It felt different now, standing alone in the large, low-ceilinged chamber. No jabbering tourists to break the mood or chase away visions of the past. He could hear much better the water rushing in the distance, where the river flowed. Parts of the caverns were supposed to have flooded over time. He could only vaguely remember explanations during his tour here of why others remained dry.
He walked into the cavern, trying to imagine what it had been like to huddle in one of these caves, the world dying outside, wondering if you were going to spend the rest of your short life trapped in darkness. He trailed his fingers on the stone walls as he wound around corners. The place was large and open, but also contained a series of smaller, bulbous chambers at the side. Most were part of the museum, and contained plaques with quotes from the Originators, written in metal. Others contained depictions of the rebuilding of the world, or other relics such as a replica of both Harmony’s Bands and the Bands of Mourning.
One entire chamber was dedicated to the Words of Founding, Harmony’s books, lore, knowledge, and own holy account of what had happened to the World of Ash. Another chamber contained volumes by other Originators, some of which were considered holy canon by one sect or another—while some, like the Docksithium, were decidedly apocryphal. Wax had tried to read the thing once. Copyright pages were more interesting.
He lingered at a chamber dedicated to the Survivor containing a hundred different depictions of him by various artists, some contemporary, others ancient. There was fervent fascination with his posthumous “apparitions” to people