the reddish stone. You could see the city in the distance, but the land was already so hazy that you could only make out the outlines of the buildings. After an hour we took the boat out to the islands. It was full of tanned young people in plastic flip-flops and bathing suits and not much more.
The ship docked at Frioul, the first of the islands. At the jetty a little train stood by to transport the visitors to the beach, but Sonia first wanted to look at the ruins of the German fort on a cliff overlooking the harbor. We climbed the rocky path. The heat was stifling, and when we got to the top, I was in a lather of sweat, and took off my T-shirt. Sonia seemed unaffected by the heat, she still looked fresh as a daisy. Paul Virilio compared these bunkers to grave sites, she said, while she walked among the ruins. He said it was as though the men went freely to their graves, to protect themselves from death. We had reached the highest point, and on the horizon there was a collection of concrete crosses. As we approached, we saw that they weren’t part of some military cemetery, but supports that must once have sustained something heavy, like a roof or antiaircraft artillery. Even so, the crosses lent a sort of morbid aspect to the place. Virilio calls the bunkers temples without religion, said Sonia.
On the way downhill, she asked me if I was religious. She wasn’t happy with my reply, my views were too diffuse and frivolous for her liking. You had to have a standpoint. She believed in people and humanity and progress. You’re just a child of the modern age, I said, and Sonia laughed and said, that to her was a compliment. I thought of something Le Corbusier had said, that I’d seen in a vitrine in the Cité Radieuse: Everything is different. Everything is new. Everything is beautiful. And for a moment I thought I could believe in that.
The little beach at the foot of the hill was too crowded for us, but not far off we found a bay with fewer people. The rocks were jagged, and we searched for a while before we found a flat spot where we could spread our towels. It was sheltered, and the air carried a faint smell of mold. Fifty yards offshore a couple of yachts rode at anchor, with no one to be seen on them. I put on my swimming trunks, Sonia sat down without changing. Won’t you come for a swim?, I asked. She shook her head and said she preferred swimming pools, she was afraid of jellyfish and sea urchins and various other sea creatures.
I had to clamber over some rocks to get to the water, which seemed surprisingly cool for the time of year. I swam out a few yards. Looking back, I saw Sonia taking the photograph envelopes out of her bag. I swam as far as the yachts, rounded them, and turned back. Sonia was sitting there just as before, staring out to sea. When I dropped onto the towel next to her, she took the pictures that had been in her lap and handed them to me without a word. I dried my hands and looked through them, photos of the Cité Radieuse, other buildings, and places in the inner city. Then there were the pictures I had taken of Sonia asleep. They weren’t as good as I had hoped they would be, but Sonia still looked very good in them, almost like a statue. I turned to her. She had lain down and shut her eyes, it was almost as though she was imitating the pictures, but her attitude had something stiff about it. She had drawn up her legs and was pressing her knees together, and she seemed very young. I think she was waiting for me to kiss her, at any rate it didn’t seem to surprise her when I did. She put her arms around my neck and pulled me down to her.
We walked hand in hand back to the jetty, not saying a word. Sometimes I stopped and pulled Sonia toward me and kissed her. My mood was a mixture of formal and light-hearted. I had thought a lot about Sonia, and she probably had about me. We hadn’t kissed out of some whim, and it was clear to me from that moment on that the kiss