the men and women whose faces he had seen when he was there, without even knowing their names. And he hated not knowing, and having his emotions pushed and pulled, and then torn apart by pity for first one, and then another, and not knowing what to believe. "Give me the authority I need to go and see her." That was a demand, not a request.
"I can't get it until the morning," Narraway replied. "You'll need it in writing," he added as Pitt hesitated. "She's not guilty yet, and she has rights. The Egyptian embassy will still protect her. I'll have it for you by tomorrow afternoon."
Pitt accepted it because he had no choice.
THE NEXT DAY, after a restless night in which the little sleep he got was filled with dreams of violence and almost unbearable tension, he was at Narraway's house by noon. He was obliged to wait nearly two hours alone in the morning room until Narraway returned with a piece of paper in an envelope, and gave it to him without explanation.
"Thank you." Pitt took it, glanced at the few lines of writing on it and was impressed, although he had no intention of allowing Narraway to know that. "I'll go straightaway."
"Do," Narraway agreed. "Before they change their minds. And Pitt... be careful. The stakes could be as high as war. The people behind all this are not going to be squeamish about getting rid of one policeman more or less."
Pitt was jolted, in spite of himself. "I know that!" he said sharply, then turned and left, calling a good-bye over his shoulder so Narraway should not be aware how ugly and deep his thoughts had become. He had faced physical danger before. No one could patrol the back alleys of London as he had done without it. But this was a different venture, a conspiracy of a magnitude he had not tasted before. It was no one man's ambition but a nation's fate which could erupt in death and awful, senseless destruction.
He took the first hansom that passed and told the driver to take him as rapidly as he could to Newgate. As soon as he was there he went straight to the warden in charge and showed him the paper Narraway had given him. The man read it right through twice, and then consulted with a superior. Finally, when Pitt was about to lose his temper, he conducted him to the cell where Ayesha Zakhari was held, and unlocked the door.
Pitt stepped in and heard the steel clang behind him. The woman who turned to face him startled him so profoundly he was robbed of words. He had created a mental picture of her from his expectations, and from the Greek Alexandria he had seen. Perhaps old stories of the city had touched his imagination without his being aware of it. He had pictured someone olive-skinned with lustrous dark hair, rich and sultry, with a softly curving body, perhaps average height or less.
She was very tall, only three or four inches less than he, and slender, delicately boned. She wore a pale silk gown like those he had seen on women in Alexandria, but more graciously cut. But most extraordinary of all, her skin was almost black and her hair was no more than a dark, smooth covering for her perfectly shaped head. Her features were more than beautiful; they were so exquisite she seemed like a work of art, and yet the vitality in her made her obviously a living, breathing woman. She was not an Egyptian of the modern, sophisticated Mediterranean Islam; she was of ancient, Coptic Africa-not Cleopatra at all, but older than that, Nefertiti.
"Who are you?" Her voice jolted him back to the present. It was low and a little husky, but with hardly any accent he could place, only a slightly more precise diction than an Englishwoman would have had, other than perhaps Great-aunt Vespasia.
"I apologize," he said without thinking. "My name is Thomas Pitt. I need to speak with you, Miss Zakhari, before the court resumes on Monday morning. Certain things have transpired of which you may not be aware."
"You may tell me whatever you wish," she replied levelly. "I have nothing to tell you, beyond what I have already said. And since I cannot prove it, there is little purpose in my repeating it. You are wasting your time, Mr. Pitt, and you are wasting mine also. And I think perhaps I do not have very much of