Selected Stories of Anton Chekov - By Anton Chekhov Page 0,54

person, but you don’t understand art well enough to regard it in good conscience as holy. You have neither the feel nor the ear for art. You’ve been busy all your life, and you’ve had no time to acquire the feel for it. Generally … I don’t like these conversations about art!” she goes on nervously. “I really don’t! It has been trivialized enough, thank you!”

“Trivialized by whom?”

“Some have trivialized it by drunkenness, the newspapers by familiarity, clever people by philosophy.”

“Philosophy has nothing to do with it.”

“Yes, it has. If anybody starts philosophizing, it means he doesn’t understand.”

To keep things from turning sharp, I hasten to change the subject and then remain silent for a long time. Only when we come out of the forest and turn towards Katya’s place do I come back to the former conversation and ask:

“You still haven’t answered me: why don’t you want to be an actress?”

“Nikolai Stepanych, this is cruel, finally!” she cries out and suddenly blushes all over. “You want me to speak the truth aloud? All right, if that … if that’s your pleasure! I have no talent! No talent and … and enormous vanity! There!”

Having made this confession, she turns her face away from me and grips the reins hard to hide the trembling of her hands.

As we approach her place, we can already see Mikhail Fyodorovich in the distance, strolling about the gate, impatiently waiting for us.

“Again this Mikhail Fyodorych!” Katya says with vexation. “Rid me of him, please! I’m sick of him, he’s played out … Enough of him!”

Mikhail Fyodorovich should have gone abroad long ago, but he keeps postponing his departure each week. Certain changes have taken place in him lately: he has become somehow pinched, wine now makes him tipsy, which never happened before, and his black eyebrows have begun to turn gray When our charabanc stops at the gate, he doesn’t conceal his joy and impatience. He bustles about, helps me and Katya out of the carriage, hurriedly asks questions, laughs, rubs his hands, and that meek, prayerful, pure something that I noticed only in his eyes before is now spread all over his face. He’s glad, and at the same time ashamed of his gladness, ashamed of this habit of visiting Katya every evening, and he finds it necessary to motivate his coming by some obvious absurdity, such as: “I was passing by on business, thought why don’t I stop for a moment.”

The three of us go in; first we have tea, then on the table appear the two long-familiar decks of cards, the big piece of cheese, the fruit, and the bottle of Crimean champagne. Our topics of conversation are not new, they’re all the same as in the winter. The university, students, literature, theater all come in for it; the air gets thicker and stuffier with malignant gossip, it is poisoned by the breath not of two toads now, as in the winter, but of all three. Besides the velvety baritone laugh and the laugh that resembles a harmonica, the maid who serves us also hears an unpleasant, cracked laughter, like that of a vaudeville general: haw, haw, haw …

V

There are terrible nights of thunder, lightning, rain, and wind, which among the people are known as sparrow nights. There was one such sparrow night in my personal life …

I wake up past midnight and suddenly jump out of bed. It seems to me for some reason that I’m suddenly just about to die. Why does it seem so? There’s not a feeling in my body that would point to an imminent end, but my soul is oppressed by such terror as if I had suddenly seen some enormous, sinister glow.

I quickly light the lamp, drink water straight from the carafe, then rush to the open window. The weather outside is magnificent. There’s a smell of hay and of something else very good. I can see the teeth of the fence, the sleepy, scrawny trees by the window, the road, the dark strip of the forest; a calm, very bright moon in the sky, and not a single cloud. Silence, not a leaf stirs. I feel as if everything is looking at me and listening in on how I’m going to die …

Eerie. I close the window and run to my bed. I feel my pulse and, not finding it in my wrist, search for it in my temples, then under my chin, then again in my wrist, and it’s all cold, clammy with