The waiter returned with my food, and as my new friend ate his snails, he laid it all out for me in as few words as possible.
“How long will you be in Paris?” he asked.
“I have no return ticket.”
He dipped a snail into a dish of melted butter. “Good! You should do some traveling. See the world. There’s so much a woman like you can do. The world is yours for the taking.”
“Hard to take it with limited funds, though.”
“Ah.” He slurped down a snail and pointed his two-pronged fork at me. “But I can tell you are a resourceful woman. And one who deserves whatever she asks for.”
“I’m not sure that’s the case anymore.”
“I assure you it is. You undervalue yourself. Maybe less perceptive men can’t see it, but I can. As Emerson said, one must be an opener of doors.”
Since arriving in Paris, I’d walked past the big black doors within the high cement wall enclosing the Hôtel d’Estrées several times. Each time, I’d look up and see the red flag with its gold hammer and sickle and wonder: What would it be like to walk in as one person and out as another? Here was my invitation to find out.
I thought of Henry Rennet dancing me through the restaurant lobby, then opening the coatroom door behind me. I thought of Anderson passing by, after, without a word—then seated at his big mahogany desk telling me I was no longer a desirable asset and how he hated to say it but I’d become too much of a risk to keep on. I thought of Frank passing me in the hallway as I left HQ for the last time without so much as a handshake.
I thought of Irina—the first time I saw her, and the last. I’d planned to talk to her after her mother’s funeral, to comfort her, to hold her, to tell her everything. But instead of going to the cemetery, I went to Georgetown and sat through the second half of The Quiet American, alone.
I still had the note I’d planned to slip her after the funeral in my pocket. The words I wrote had worn completely away from constantly being rubbed between my fingers as I walked the streets of Paris. But I remembered what I’d written, the words I never gave her, the truth I’d kept to myself.
And then there was the truth I kept from myself. I’d boarded the plane to Paris convinced there was no alternative. But that first night, the what ifs surrounded me like a cloud of gnats. I imagined the whitewashed house in New England that Irina and I could’ve moved to—its yellow door and porch swing and bay window overlooking the Atlantic. I imagined us going into town each morning for coffee and doughnuts, the townsfolk thinking we were roommates. As I thought of all the paths I didn’t take, the loss came over me like a lead blanket.
I thought of the book in the purse sitting next to me. How did it end? Do Yuri and Lara end up together? Or do they die alone and miserable?
The waiter took our plates and asked if he could get us anything else.
“A bottle of champagne, perhaps?” my new friend asked, looking at me, not the waiter.
I raised my glass. “When in Paris.”
EAST
January 1959
CHAPTER 26
The Muse
The Rehabilitated Woman
The Emissary
The Mother
The Emissary
THE POSTMISTRESS
The first copies were passed from hand to hand in the parlors of Moscow’s intelligentsia. After Borya won the Nobel, then declined it, copies of the copies were made. Then copies of those copies. Doctor Zhivago was whispered about in the bowels of the Leningrad Metro, passed from worker to worker in the labor camps, and sold on the black market. “Have you read it?” people across the Motherland asked each other in hushed voices. “Why was it kept from us?” The it never needed to be named. Soon the black market was flooded, and everyone could read the novel they’d been denied.
When Ira brought a copy home, I forbade her to keep it in the house. “Don’t you realize?” I cried, ripping the pages up and tossing them into the bin. “It’s a loaded pistol.”
“You’re the one who bought the bullets. You placed him above our family.”
“He is our family.”
“And I know what you’re keeping hidden here. Don’t think I don’t!” She stormed out before I could respond.
The money was kept in a russet leather suitcase with a brass lock tucked behind the long dresses in the