the latter with an under-stroke).
The names of the letters. In all modes each letter and sign had a name; but these names were devised to fit or describe the phonetic uses in each particular mode. It was, however, often felt desirable, especially in describing the uses of the letters in other modes, to have a name for each letter in itself as a shape. For this purpose the Quenya ‘full names’ were commonly employed, even where they referred to uses peculiar to Quenya. Each ‘full name’ was an actual word in Quenya that contained the letter in question. Where possible it was the first sound of the word; but where the sound or the combination expressed did not occur initially it followed immediately after an initial vowel. The names of the letters in the table were (1) tinco metal, parma book, calma lamp, quesse feather; (2) ando gate, umbar fate, anga iron, ungwe spider’s web; (3) thúle (súle) spirit, formen north, harma treasure (or aha rage), hwesta breeze; (4) anto mouth, ampa hook, anca jaws, unque a hollow; (5) númen west, malta gold, noldo (older ngoldo) one of the kindred of the Noldor, nwalme (older ngwalme) torment; (6) óre heart (inner mind), vala angelic power, anna gift, vilya air, sky (older wilya); rómen east, arda region, lambe tongue, alda tree; silme starlight, silme nuquerna (s reversed), áre sunlight (or esse name), áre nuquerna; hyarmen south, hwesta sindarinwa, yanta bridge, úre heat. Where there are variants this is due to the names being given before certain changes affected Quenya as spoken by the Exiles. Thus No. 11 was called harma when it represented the spirant ch in all positions, but when this sound became breath h initially 1 (though remaining medially) the name aha was devised. áre was originally áze, but when this z became merged with 21, the sign was in Quenya used for the very frequent ss of that language, and the name esse was given to it. hwesta sindarinwa or ‘Grey-elven hw’ was so called because in Quenya 12 had the sound of hw, and distinct signs for chw and hw were not required. The names of the letters most widely known and used were 17 n, 33 hy, 25 r, 10 f: númen, hyarmen, rómen, formen=west, south, east, north (cf. Sindarin dûn or annûn, harad, rhûn or amrûn, forod). These letters commonly indicated the points W, S, E, N even in languages that used quite different terms. They were, in the West-lands, named in this order, beginning with and facing west; hyarmen and formen indeed meant left-hand region and right-hand region (the opposite to the arrangement in many Mannish languages).
(ii)
THE CIRTH
The Certhas Daeron was originally devised to represent the sounds of Sindarin only. The oldest cirth were Nos. 1, 2, 5, 6; 8, 9, 12; 18, 19, 22; 29, 31; 35, 36; 39, 42, 46, 50; and a certh varying between 13 and 15. The assignment of values was unsystematic. Nos. 39, 42, 46, 50 were vowels and remained so in all later developments. Nos. 13, 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in later arrangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31, the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance.
The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their reorganization was attributed to Daeron. The principal additions, however, the introductions of two new series, 13–17, and 23–28, were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin.
In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the Fëanorian system): (1) adding a stroke to a branch added ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. These principles were regularly carried out, except in one point. For (archaic) Sindarin a sign for a spirant m (or nasal v) was required, and since this could best be provided by a reversal of the sign for m, the reversible No. 6 was given the value m, but No. 5 was given the