the baby of its nightie and sweater. She carries the sopping clothes to the television set and puts them on top while she drops to her knees and tries to stuff the crayons back into their box. Her head aches with all this jarring up and down. She takes the crayons to the kitchen table and dumps the uneaten bacon and lettuce into the paper bag under the sink but the mouth of the bag leans partly closed and the lettuce falls behind into the darkness in back of the can and she crouches down with her head pounding to try to see it or get it with her fingers and is unable. Her knees sting from so much kneeling. She gives up and to her surprise sits flatly on a kitchen chair and looks at the gaudy soft noses of the crayons poking out of the Crayola box. Hide the whisky. Her body doesn’t move for a second but when it does she sees her hands with the little lines of dirt on her fingernails put the whisky bottle into a lower cabinet with some old shirts of Harry’s she was saving for rags he would never wear a mended shirt not that she was any good at mending them. She shuts the door, it bangs but doesn’t catch, and on the edge of linoleum beside the sink the cork cap of the whisky bottle stares at her like a little top hat. She puts it in the garbage bag. Now the kitchen is clean enough. In the living-room Rebecca is lying naked in the fuzzy armchair with her belly puffing out sideways to yell and her lumpy curved legs clenched and red. Janice’s other baby was a boy and it still seems unnatural to her, between the girl’s legs, those two little buns of fat instead of a boy’s triple business (when the doctor had Nelson circumcised Harry hadn’t wanted him to he hadn’t been and thought it was unnatural she had laughed at him he was so mad). The baby’s face goes red with each squall and Janice closes her eyes and thinks how really horrible it is of Mother to come and ruin her day just to make sure she’s lost Harry again. She can’t wait a minute to find out and this awful baby can’t wait a minute and there are the clothes on top of the television set. She takes them into the bathroom and drops them into the toilet on top of the diaper and turns off the faucets. The wavery gray line of the water is almost up to the lip of the tub. On the skin quick wrinkles wander and under it a deep mass waits colorless. She wishes she could have the bath. Brimful of composure she returns to the living-room. She tips too much trying to dig the tiny rubbery thing out of the chair so drops to her knees and scoops Rebecca into her arms and carries her into the bathroom held sideways against her breasts. She is proud to be carrying this to completion; the baby will be clean. She drops gently to her knees by the big calm tub and does not expect her sleeves to be soaked. The water wraps around her forearms like two large hands; under her amazed eyes the pink baby sinks down like a gray stone.
With a sob of protest she grapples for the child but the water pushes up at her hands, her bathrobe tends to float, and the slippery thing squirms in the sudden opacity. She has a hold, feels a heartbeat on her thumb, and then loses it, and the skin of the water leaps with pale refracted oblongs that she can’t seize the solid of; it is only a moment, but a moment dragged out in a thicker time. Then she has Becky squeezed in her hands and it is all right.
She lifts the living thing into air and hugs it against her sopping chest. Water pours off them onto the bathroom tiles. The little weightless body flops against her neck and a quick look of relief at the baby’s face gives a fantastic clotted impression. A contorted memory of how they give artificial respiration pumps Janice’s cold wet arms in frantic rhythmic hugs; under her clenched lids great scarlet prayers arise, wordless, monotonous, and she seems to be clasping the knees of a vast third person whose name, Father, Father, beats against her head like physical