I should not have known how to argue for it. But you are very sweet, and have not frightened me to-day."
"Do I ever frighten you then, Rose?" asked Septimius, bending his black brow upon her with a look of surprise and displeasure.
"Yes, sometimes," said Rose, facing him with courage, and smiling upon the cloud so as to drive it away; "when you frown upon me like that, I am a little afraid you will beat me, all in good time."
"Now," said Septimius, laughing again, "you shall have your choice, to be beaten on the spot, or suffer another kind of punishment,—which?"
So saying, he snatched her to him, and strove to kiss her, while Rose, laughing and struggling, cried out, "The beating! the beating!" But Septimius relented not, though it was only Rose's cheek that he succeeded in touching. In truth, except for that first one, at the moment of their plighted troths, I doubt whether Septimius ever touched those soft, sweet lips, where the smiles dwelt and the little pouts. He now returned to his study, and questioned with himself whether he should touch that weary, ugly, yellow, blurred, unintelligible, bewitched, mysterious, bullet-penetrated, blood-stained manuscript again. There was an undefinable reluctance to do so, and at the same time an enticement (irresistible, as it proved) drawing him towards it. He yielded, and taking it from his desk, in which the precious, fatal treasure was locked up, he plunged into it again, and this time with a certain degree of success. He found the line which had before gleamed out, and vanished again, and which now started out in strong relief; even as when sometimes we see a certain arrangement of stars in the heavens, and again lose it, by not seeing its individual stars in the same relation as before; even so, looking at the manuscript in a different way, Septimius saw this fragment of a sentence, and saw, moreover, what was necessary to give it a certain meaning. "Set the root in a grave, and wait for what shall blossom. It will be very rich, and full of juice." This was the purport, he now felt sure, of the sentence he had lighted upon; and he took it to refer to the mode of producing something that was essential to the thing to be concocted. It might have only a moral being; or, as is generally the case, the moral and physical truth went hand in hand.
While Septimius was busying himself in this way, the summer advanced, and with it there appeared a new character, making her way into our pages. This was a slender and pale girl, whom Septimius was once startled to find, when he ascended his hill-top, to take his walk to and fro upon the accustomed path, which he had now worn deep.
What was stranger, she sat down close beside the grave, which none but he and the minister knew to be a grave; that little hillock, which he had levelled a little, and had planted with various flowers and shrubs; which the summer had fostered into richness, the poor young man below having contributed what he could, and tried to render them as beautiful as he might, in remembrance of his own beauty. Septimius wished to conceal the fact of its being a grave: not that he was tormented with any sense that he had done wrong in shooting the young man, which had been done in fair battle; but still it was not the pleasantest of thoughts, that he had laid a beautiful human creature, so fit for the enjoyment of life, there, when his own dark brow, his own troubled breast, might better, he could not but acknowledge, have been covered up there. [Perhaps there might sometimes be something fantastically gay in the language and behavior of the girl.]
Well; but then, on this flower and shrub-disguised grave, sat this unknown form of a girl, with a slender, pallid, melancholy grace about her, simply dressed in a dark attire, which she drew loosely about her. At first glimpse, Septimius fancied that it might be Rose; but it needed only a glance to undeceive him; her figure was of another character from the vigorous, though slight and elastic beauty of Rose; this was a drooping grace, and when he came near enough to see her face, he saw that those large, dark, melancholy eyes, with which she had looked at him, had never met his gaze before.
"Good-morrow, fair maiden," said Septimius, with such courtesy