woodland creatures could defeat an army of grown-up Humans.
Twilight was coming on as they rowed slowly up the windings of Glasswater Creek - a twilight which deepened as the banks drew closer together and the overhanging trees began almost to meet overhead. It was very quiet in here as the sound of the sea died away behind them; they could even hear the trickle of the little streams that poured down from the forest into Glasswater.
They went ashore at last, far too tired to attempt lighting a fire; and even a supper of apples (though most of them felt that they never wanted to see an apple again) seemed better than trying to catch or shoot anything. After a little silent munching they all huddled down together in the moss and dead leaves between four large beech trees.
Everyone except Lucy went to sleep at once. Lucy, being far less tired, found it hard to get comfortable. Also, she had forgotten till now that all Dwarfs snore. She knew that one of the best ways of getting to sleep is to stop trying, so she opened her eyes.
Through a gap in the bracken and branches she could just see a patch of water in the Creek and the sky above it. Then, with a thrill of memory, she saw again, after all those years, the bright Narnian stars. She had once known them better than the stars of our own world, because as a Queen in Narnia she had gone to bed much later than as a child in England. And there they were - at least, three of the summer constellations could be seen from where she lay: the Ship, the Hammer, and the Leopard. "Dear old Leopard," she murmured happily to herself.
Instead of getting drowsier she was getting more awake - with an odd, night-time, dreamish kind of wakefulness. The Creek was growing brighter. She knew now that then moon was on it, though she couldn't see the moon. And now she began to feel that the whole forest was coming awake like herself. Hardly knowing why she did it, she got up quickly and walked a little distance away from their bivouac.
"This is lovely," said Lucy to herself. It was cool and fresh, delicious smells were floating everywhere.
Somewhere close by she heard the twitter of a nightingale beginning to sing, then stopping, then beginning again. It was a little lighter ahead. She went towards the light and came to a place where there were fewer trees, and whole patches or pools of moonlight, but the moonlight and the shadows so mixed that you could hardly be sure where anything was or what it was. At the same moment the nightingale, satisfied at last with his tuning up, burst into full song.
Lucy's eyes began to grow accustomed to the light, and she saw the trees that were nearest her more distinctly. A great longing for the old days when the trees could talk in Narnia came over her. She knew exactly how each of these trees would talk if only she could wake them, and what sort of human form it would put on. She looked at a silver birch: it would have a soft, showery voice and would look like a slender girl, with hair blown all about her face, and fond of dancing. She looked at the oak: he would be a wizened, but hearty old man with a frizzled beard and warts on his face and hands, and hair growing out of the warts. She looked at the beech under which she was standing. Ah! she would be the best of all. She would be a gracious goddess, smooth and stately, the lady of the wood.
"Oh, Trees, Trees, Trees," said Lucy (though she had not been intending to speak at all). "Oh, Trees, wake, wake, wake. Don't you remember it? Don't you remember me? Dryads and Hamadryads, come out, come to me."
Though there was not a breath of wind they all stirred about her. The rustling noise of the leaves was almost like words. The nightingale stopped singing as if to listen to it.
Lucy felt that at any moment she would begin to understand what the trees were trying to say. But the moment did not come. The rustling died away. The nightingale resumed its song. Even in the moonlight the wood looked more ordinary again. Yet Lucy had the feeling (as you sometimes have when you are trying to remember a name or a date