was or where it came from. Sometimes, though the walls were thick and this dark shadowy place well-insulated, sounds could be heard from his neighbours. They were loud-voiced people who often moved their furniture about and once or twice had given noisy parties. But this voice was soft, persuasive and almost seductive.
He knew this was human speech he was hearing, but for a while he couldn't make out the words, only that the rhythm of what was said was the rhythm of English. Then, quite clearly, he heard it say, 'She will ask you if you hear voices.'
Joel said nothing. He lay back and closed his eyes, wondering as he did so why human beings have the ability to shut off their vision but no mechanism for doing the same for hearing. On his way to Dr Peacock he went into a pharmacy and bought himself some earplugs made of wax, though he was beginning to feel he would have no need to use them.
Dr Peacock said nothing about hearing voices. She said very little. She was a white-haired woman, the hair copious and long, with the face of a Russian ballet dancer and the barrel-shaped body of a bricklayer. The suit she wore was charcoal-coloured linen, the trousers tapering and the jacket like a mandarin's. Joel expected a couch and there was one but not for him. Dr Peacock reclined on it while he sat in an armchair.
The psychotherapist had a high-pitched voice with the slight lisp of a camp vicar in a comedy show. Joel found it rather hard to believe she was a woman. She asked Joel to tell her why he had come and Joel told her about his heart operation, his near-death experience and Mithras. When he paused or hesitated Dr Peacock said, 'Go on,' and when he had told her everything in detail Dr Peacock said, 'Tell me again.' It reminded Joel of police interrogations he had seen on television when the investigating officer asks the suspect to repeat his story in order to catch him out in a lie.
At the end of the second recounting, the psychotherapist asked him who he thought Mithras was but soon after Joel had begun talking about him, Dr Peacock said time was up and she would see him next week. Joel had, perhaps naively, supposed that after even a single session he would begin to feel better about things but he didn't. He put on his dark glasses and walked slowly to a bus stop, not knowing or much caring which buses stopped there. One came but it was the kind where you have to have a ticket or a pass before you board and the driver turned him off.
'You have to get off,' the driver said. 'It's no use arguing. I don't make the rules.'
This unnerved Joel and he hailed a taxi. The people in the streets all seemed to be staring at him, sitting alone in the back. They stared at him, he thought, with resentful eyes or, worse, with savage glares, and children made faces. One little boy stuck out his tongue and Joel put his face in his hands. He hadn't enough money on him so he got the driver to take him to a cash dispenser. Three men were ahead of him. They all seemed to know each other and began to whisper together, one of them turning round to eye him before going back to their conversation. This was what happened when he exposed himself to the light. He felt uncomfortable, wondering if they meant to attack him. But nothing happened, he got his money and was soon at home.
His living room, which until then had always seemed rather too dark, nearly as dark as the rest of the place, was now too light for him. He settled that by pulling down the dark-green blind to its fullest extent. The grey dimness of a wet afternoon now prevailed and, reclining on the sofa in much the same attitude as Dr Peacock had taken up, he phoned Dr Cotswold. Or tried to phone her. The voice he got was the receptionist's, which said she was with a patient but she would pass on his message and ask her to call him back. The call didn't come for almost an hour, the longest hour Joel thought he had spent for years. And when she did phone, though Joel had supposed Dr Peacock would have given her a careful report by now, she knew