so late. Love you. I’m hurrying out of here.” I hang up and slide my phone back into my pocket. Richard goes still. I check his pulse. There isn’t one, but there’s plenty of disgusting foam hanging out of his mouth. This was messier than I prefer but necessary to cover my tracks and clear a path for my real judgment and punishment.
About done here, I grab Richard’s phone and dial 911.
“911, what’s your emergency?”
With his phone far from my face, I whisper, “Help. Riverside—Trailer—Park.” I don’t give them the exact address and then drop the phone on the ground and leave.
I return to my car and drive away, but I park on a side street in a neighborhood just outside of the trailer park and wait for the EMS vehicles. It takes them ten minutes to arrive. My job here is done. The only thing left to do is find a spot to pull over where I won’t be seen, bag my cover-up clothes for Goodwill, and get rid of my incidental trash.
Richard Williams is dead. The man who killed Agent Jazz’s father is dead. Now, she can let that one go and focus on her future. My gifts to Agent Jazz are never-ending.
Chapter 94
Wade stays the night at my place, mostly because we’re both exhausted. We literally eat cold gourmet pizza from the takeout bags at three in the morning before we fall into bed. The last thing on my mind before darkness consumes me is the poem left in Ava Lloyd’s mouth, as if she were speaking to me.
Naked, he lies in the blinded room
Chain-smoking, cradled by drugs, by jazz
as never by any lover’s cradling flesh.
I wake to the alarm only a few hours later, and those words are still in my head, and with good reason. He used my name. Evan was right. He was speaking to me. The jazz poetry connection plays in my mind, and I wonder if my name is the root of his obsession.
Wade heads to the shower, and I pull on a robe, following him to the bathroom but forgetting about the toothbrush I’d been intending to put to use. Instead, I lean on the bathroom counter, my mind chasing empty circles for so long that Wade finishes his shower. I blink him into view as he wraps a towel around his waist.
“Why is he obsessed with me?”
“I was thinking about that in the shower. Could it be your name?”
“Yes,” I say, animated with the connected thought. “I had the same thought.” I deflate quickly. “But that feels too simple.”
“Simple to who? You and The Poet? Because I didn’t know jazz and poetry had a connection until I met you and you talked about your grandfather.”
My mind is still chasing those circles. “Jazz. Jazz. Jazz,” I murmur, and my eyes go wide. “Record stores and old jazz albums. What if he loves jazz and poetry like my grandfather? Maybe that’s what he’s telling me. God, I don’t want to think that he knows me well enough to know that. I’m praying he just connected my name to poetry.”
“Is that even possible?”
“It’s a possibility. Jazz poetry is a subgenre, so yes. It’s possible. I have to get the team checking with record stores.” I push off the counter and disappear into the bedroom, grabbing my phone to dial Chuck.
He answers on the first ring. “You’re really back.”
“I am,” I say, giving him directions and promising him chocolate, lots of it, soon.
The minute we hang up, I head to the shower myself. Not long later, I’m dressed in my standard uniform, guzzling coffee in the kitchen with Wade doing the same. “We should talk,” he says. “About us.”
“You’re my boss now.”
He arches a brow. “So I can sleep over, but we can’t talk about us? I’m not going to die on you, Sam.”
He hits ten nerves, all of them raw. “Neither of us can promise that, not in our jobs.”
“So if we sleep together and eat together and enjoy each other, but pretend we aren’t a couple, that somehow makes us immune to the pain if it happens?”
“This case has gotten personal, Wade. I shouldn’t have you staying here at all. What if he comes after you?”
“Then I kill him and this is over.”
Anger snaps inside me. “What if he kills you?”
He motions between us. “This exists. Pretending it doesn’t won’t make one of us dying easier. It makes living harder.”
There’s a knock on the door. Wade arches a brow. “Expecting someone?”
“No, but