door one last kick, and the blonde, who’d gone quiet, began screaming again. Santos took a spare magazine out of his pocket, jammed it into the Sig, and sprayed the whole load through the door and the Sheetrock walls. He heard one last crash of breaking glass from the bedroom and then hurried to the front door, to the car, and sped away.
At the end of the block, he saw a man standing in front of his house, staring at Beauchamps’s house. He turned the corner and was gone.
* * *
—
COX THOUGHT she might have broken a leg when she ran into the coffee table, but it seemed to work all right, and she lay huddled behind the heavy wooden bureau she’d toppled in front of the bedroom door, her feet pushed against it.
When the shooting stopped and she took her hands away from her ears, somebody—it had to be Santos because Beauchamps would have called to her—tried to kick his way into the bedroom, but she rolled against the bureau and pushed back. Then Santos sprayed the bedroom with bullets, blowing out the only window. She closed her eyes and covered her ears again until the shooting stopped.
The front door slammed. She crawled to the window and looked out but couldn’t see anything in the street, and she couldn’t hear much at all, her ears still ringing with the muzzle blasts of the two guns, and then she saw Santos’s car speed away, him hunched over the steering wheel.
She pushed the chest of drawers away from the bedroom door and stepped out. Beauchamps was dead, no question of that. When she looked at his chest, the word that popped unwanted into her head was “colander.”
She began talking. “Oh, God. Oh, jeez. Oh . . . shit. Oh my God . . .”
She’d never seen a dead body before and this was an unsightly one, lying on the floor, eyes still open, looking at her, mouth slack, blood still oozing out into his shirt like a paper napkin sopping up spilt cranberry juice. She poked him once to see if he’d react but he didn’t. And there were all those bullet holes . . .
Dead.
She had to get out. Cox shopped at Whole Foods and had one of their tote bags. She grabbed it, stuffed her purse and several pairs of shoes in it. She rolled Beauchamps up on his side and pulled out his wallet and then slipped her hand into his side pocket for the money roll he kept there. Grimacing at the warmth of his blood-splattered hand, she unclasped the gold Rolex and pulled it off his wrist.
His burner phone was sitting on the breakfast bar, and she threw it in the bag.
All that done, she ran to the door to the garage, paused, saw two more paper grocery bags on the floor by the kitchen counter, grabbed them, ran back to the bedroom closet, stuffed the bags with the rest of her shoes, plus a plastic Tupperware box of jewelry, swept some cosmetics into the bag from the bathroom counter, added a baggie of cocaine, got her birth control pills and her sunglasses, yanked open the drawers of the other bureau—the one used by Beauchamps—saw nothing useful or valuable except for a wooden jewelry box that she thought might contain another Rolex, and maybe two, so she threw it in the bag also. She saw a box of 9mm ammo, grabbed it, and on the way through the front room picked up Beauchamps’s Beretta by the barrel and dropped it in the bag, too.
With the two paper shopping bags and the Whole Foods tote, she stepped into the garage and tossed them in the backseat of Beauchamps’s Cadillac Escalade. Didn’t hear any sirens, but it hadn’t been but five minutes since the shooting. Still, she ran inside, got an armful of clothing from her closet, carried it out and dumped it in the SUV. Went back to the bedroom again, yanked all the drawers out of Beauchamps’s dresser and dumped them. The bottom drawer produced a bag of currency; she took it but didn’t stop to count it. Finally, she went back to the toppled dresser by the bedroom door, took out an armful of lingerie, including everything she had from La Perla, and a bunch of bras and underpants from Victoria’s Secret, carried it all to the car, threw it in the backseat.
She pushed the button to lift the garage door, ran around to the