vinegar. A stamp across my knuckles showed I’d been to a club called Dawn’s Early. I’d never heard of it. I sat back and closed my eyes and tried to remember the previous night. It was all black, empty space. “Let’s take a look at the snowfall forecast for the New York metro area.” I opened my eyes. The meteorologist on TV looked like a black Rick Moranis. He pointed to a swirling white cartoon cloud. “Happy New Year, Reva,” I remember I’d said. That was all I could recall.
The coffee table was spread over with empty ice-cube trays and a full gallon jug of distilled water and an empty half-gallon jug of Gordon’s gin and a ripped-out page from a book called The Art of Happiness. Reva had given it to me for my birthday a few years earlier, saying I’d “get a lot out of the Dalai Lama. He’s really insightful.” I’d never read the book. On the torn-out page, a single line had been underlined in blue ballpoint pen: “It didn’t happen overnight,” it read. I deduced that I’d been crushing Xanax with the handle of a butcher knife and snorting it with a rolled-up flyer for an open mic night at a club on Hester Street called Portnoy’s Porthole. I’d never heard of it. A few dozen Polaroids splattered between my videotapes and empty cases proved that my blackout activities had not gone undocumented, although I didn’t see my camera anywhere.
The photos were of pretty party people—young strangers making sultry, self-serious faces. Girls in dark lipstick, boys with red pupils, some caught unawares by the loud white flash of my camera, others posing fashionably or simply raising an eyebrow or faking wide smiles. Some photos appeared to have been taken on a downtown street at night, others in a dark, low-ceilinged interior with Day-Glo fake graffiti on the walls. I didn’t recognize anybody in the photos. In one, a group of six clubgoers huddled together, each holding up a middle finger. In another, a skinny redhead flashed her breasts, revealing lavender pasties. A chubby black boy in a fedora and tuxedo T-shirt blew smoke rings. Male twins dressed as heroin-thin Elvises in slouchy gold lamé suits high-fived in front of a Basquiat rip-off. There was a girl holding a rat on a leash hooked to the bicycle chain she wore around her neck. A close-up shot showed someone’s pale pink tongue, split to look like a snake’s and pierced on both forks with big diamond studs. There was a series of snapshots taken in what I guessed was the line for the toilet. The whole place looked like some arty rave.
“Expect road closures, hurricane force gales, coastal flooding,” the weatherman was saying. I dug the remote out from between the sofa cushions and turned the TV off.
One photo had fallen under the coffee table. I picked it up and flipped it over. A small Asian man stood still and apart from the crowd at the bar. He wore blue coveralls splattered in paint. I looked closely. He had a round face and ruddy acne scars. His eyes were closed. He seemed familiar. Then I recognized him. It was Ping Xi. There was a streak of pink glitter across his cheeks. I put the photo down.
* * *
• • •
IT HAD BEEN MONTHS since I’d even thought of Ping Xi. Whenever Ducat had popped into my mind, I’d tried to winnow my focus down to the simple memory of the long walk to the Eighty-sixth Street subway station, the express train to Union Square, the L train across town, the walk up Eighth Avenue and left on Twenty-third Street, the hobble over the old cobblestones in my high heels. Remembering the geography of Manhattan seemed worth hanging on to. But I would have preferred to forget the names and details of the people I’d met in Chelsea. The art world had turned out to be like the stock market, a reflection of political trends and the persuasions of capitalism, fueled by greed and gossip and cocaine. I might as well have worked on Wall Street. Speculation and opinions drove not only the market but the products, sadly, the values of which were hinged not to the ineffable quality of art as a sacred human ritual—a value impossible to measure, anyway—but to what a bunch of rich assholes thought would “elevate” their portfolios and inspire jealousy and, delusional as they all were, respect. I was perfectly happy to