the garden. Eutropius had been joined by another man about his own age and of his own class, to judge by the newcomer’s expensive-looking garments. Anthea had also been joined by a friend, a girl attired exactly as she was, in the guise of Artemis the huntress, but with flowing red hair and plainer features.
“This is my friend and business partner, Mnason,” said Eutropius, “and this is his daughter, Chloe, who will also be taking part in the procession for the first time.” Under his breath he added, to Antipater, “The two of us are both widowers, sadly, so quite often we take part in festivals and civic celebrations together with our daughters.”
The six of us set out. Amestris came along as well, apparently to make sure that all was perfect for Anthea and Chloe’s appearance in the procession. I deliberately kept my eyes off her, determined to take in the sights and sounds of the festive city.
A short walk brought us to the main entrance of the theatre. There were a great many people in the square, and the crowd was still issuing out. Everyone looked quite cheerful, and, for those who needed more cheering up, vendors were selling wine. Some in the crowd had brought their own cups, but the vendors were also selling ornamental cups made of copper, or silver, or even gold set with stones; like the talismans for sale in the market, these precious objects were destined to be offered to Artemis at the end of the procession.
As darkness fell, lamps were lit all around the square, casting a flickering orange glow across the sea of smiling faces. The crowd suddenly grew hushed. A way was cleared in front of the theatre entrance. I assumed some dignitary, perhaps the Roman governor, was about to make his exit. Instead, a statue of Artemis emerged, carried aloft by a small group of priests wearing bright yellow robes and tall yellow headdresses.
Antipater spoke in my ear. “Those are the Megabyzoi, and that statue is the Artemis of Ephesus, the model for all the replicas we saw in the market-place.”
The statue was made not of stone or bronze, but of wood, probably ebony to judge by the few areas that were not adorned with bright paint. Her face and hands were gilded. An elaborately embroidered robe with broad sleeves had been fitted over her body, and a veil covered her face. A wagon festooned with wreaths and strings of beads approached, drawn by bulls decorated with ribbons and garlands. The Megabyzoi carrying the statue gently placed it upright in the wagon.
Suddenly I understood Eutropius’s pun about the wooden statue watching a wooden performance. Artemis herself, brought from her temple and specially dressed for the occasion, had been the guest of honour at the play.
The wagon rolled forward. With Artemis leading the way, others began to take their place in the procession. Musicians with flutes, horns, lyres, and tambourines appeared. Eutropius gave his daughter a kiss on the forehead, and Mnason did likewise, then Anthea and Chloe ran to join a group of similarly dressed girls who took a place in the procession behind the musicians. The girls performed a curious dance, leaping in the air and then crouching down, looking this way and that, mimicking the movements of birds. Then the hunted became hunters, as in unison the girls raised their little bows, notched miniature arrows, and shot them in the air. Women in the crowd laughed and rushed forward, trying to catch the harmless arrows as they fell.
“The arrows are tokens of childbirth,” Antipater explained. “The women who catch them hope to enjoy a quick conception and an easy delivery.”
“But how is it that a virgin goddess is also a fertility goddess?” I asked.
Antipater’s sigh made me feel quite the ignorant Roman. “So it has always been. Because she herself does not conceive, Artemis is able to act as helpmate to those who do.”
The dancers put their bows over their shoulders, pulled the little javelins from their belts, and began a new dance, forming a circle and rhythmically tapping their javelins against the ground inside the circle and then outside. Even among so many young and lovely girls, Anthea stood out. From others in the crowd I overheard many comments about her beauty, and more than one observer echoed Antipater’s observation that she appeared to personify the goddess herself.
The wagon bearing Artemis rolled out of sight around a corner. The musicians and dancing girls followed. Close behind the