in Salem; rather, the beetle’s death had foretold that Maria would not hang. This was not the case now, for the beetle didn’t show itself, always a dark sign. She remembered Hannah searching the cottage at Devotion Field when she heard it, never managing to get it out of the walls no matter how she might try, for it predicted the day of fire and destruction, when she was nailed to her own front door and her house was burned to the ground.
Maria turned to the book, reading the Grimoire for hours, trying every remedy that might help the old man regain his vitality. Vervain, feverfew, nightshade, horehound syrup. None of it worked. As Abraham’s condition worsened, Maria was willing to delve into the darker magic that practitioners of the Nameless Art were taught to avoid, though she could find no death spells in the Grimoire.
That is not our business, Hannah had told her. When you go inside darkness, the darkness goes inside you.
She found the spell she was searching for at the very end of the book, on a page she had never noticed before. It was invisible without bodily fluid, but Maria could feel it there on the page, writhing, ready to be called up. She licked her thumb, then ran her damp finger across the page. The letters appeared in small, perfect script. Do not use unless you must.
When Samuel entered his father’s chamber that evening, the scene he witnessed stunned him. They had never discussed where Maria had come from, or more importantly, what she was. Now it was clear; there was no mistaking witchery. Black candles were lit around the old man’s bed, so many that the smoke scorched the ceiling and billowed into the corners of the room. A line of salt had been poured along the walls so that no evil could enter, and herbs were strewn over the bed. Maria sat before the old man, naked, slick with sweat, as she chanted an ancient spell so dangerous and powerful the words turned to ash as she spoke them and her mouth burned as she called to Hecate, the goddess of magic and sorcery and light.
Avra kadavra, I will create as I speak, I will force into being that which is impossible and illogical, all that is against the rules of men. A shield to prevent death, no matter how dark the results might be.
“Enough.” Samuel Dias seized Maria from the bed and covered her with a blanket. He stomped on the candles as if they were bugs, extinguishing the flames, then opened the window and waved the smoke out. At last Samuel turned back to her. He wasn’t often angry, but when he was, he burned. “Is my father an experiment for your Art?”
“It’s a cure! When I cured you, your father was happy that I did. Why can’t you be?”
“This is not the same! The only cure for old age is death. There are things you cannot change. That you should not change! We’ll let him go, as he should.”
Samuel was right, and she knew it. What was forcibly brought back from death never came back as it was. One lived or died as fate saw fit. It was possible to shift one’s destiny depending on choices that had been made, but some things were meant to be, they had been written and could not be unwritten. Abraham Dias’s time had come. On both hands, his lifelines had reached the ends of his palms. Maria stopped fighting a war she couldn’t win. She washed and dressed, then watched Samuel from the window as he sat alone in the garden, waiting to lose the last member of his family.
When it was clear that Abraham was about to die, Maria intended to call Samuel to his bedside, but the old man stopped her. He placed a hand on her arm and managed to speak. The man who could talk for hours at a time, and had taught his son to do the same, still had some breath left. When a person was about to die, nothing could prevent him from talking if he had something to say.
“I need you alone,” he told her. “So you understand Samuel.” Maria sat beside Abraham to listen to his last story, and she wasn’t surprised to hear it was about his love for his son.
“My boy was eleven years old when it happened,” he began. While he spoke, he appeared younger, as if he’d gone back to