if he were a visitor from another country, but the words were clear enough, although the tale they told was bewildering.
‘O I am Barak of the It-Barak,
The Immortal Dog Men of yore,
Born from the egg of a magic hawk,
We could sing and fight and love and talk
And could never, ever be slain.
Yes, I am Barak of the It-Barak,
A thousand years old and more,
I ate black pearls and I wed human girls,
I ruled my world like an earl in curls,
And I sang with angelic disdain.
And this is the song of the It-Barak,
A thousand years old, it’s true,
But we were unmade by a Chinese curse,
Were turned into pooches and pye-dogs and curs,
And the Kingdom of Dogs became quicksand and bogs,
We no longer sang, but could only bark,
And we went on four legs, not two.
Now we go on four legs, not two.’
Then it was the turn of Dog the bear, who also rose up on his hind legs, and folded his paws in front of him like a schoolboy at a public-speaking contest. Then he spoke in clear, human language, and his voice sounded remarkably like Luka’s brother Haroun’s, and Luka almost fell over when he heard it. Nobodaddy saved him by stretching out a protective arm, exactly as if he were the real Rashid Khalifa. ‘O mighty pintsized liberator,’ the bear began grandly, but also, it seemed to Luka, a little uncertainly, ‘O incomparably cursing child, know that I was not always as you see me now, but the monarch of, um, a northern land of deep woods and shining snow, hidden behind a circular mountain range. My name was not “Dog” then, but, er … Artha-Shastra, Prince of Qâf. In that cold, lovely place we danced to keep ourselves warm, and our dances became the stuff of legend, for as we stamped and leapt the brilliance of our spinning wove the air around us into strands of silver and gold, and this became both our treasure and our glory. Yes! To twirl and to whirl was all our delight, and by whirling and twirling we came round right, and our golden land was a place of wonder and our clothes shone like the sun.’
His voice strengthened, as if he had become more certain of the tale he was telling. ‘So we prospered,’ he went on, ‘but we also aroused the envy of our neighbours, and one of them, the giant, bird-headed fairy prince called –’ and here Dog the bear stumbled again – ‘um … ah … oh yes, Bulbul Dev, the Ogre King of the East, who sang like a nightingale but danced like an oaf, was the most envious of all. He attacked us with his legion of giants, the … the … Thirty Birds, beaked monsters with spotted bodies, and we, a dancing, golden people, were too innocent and kindly to resist. But we were stubborn folk, too, and we did not give up the secrets of the dance. Yes, yes!’ he exclaimed excitedly, and rushed on to the story’s end. ‘When the Bird Ogres realised that we would not teach them how to spin air into gold, that we would defend that great mystery with our lives, they set up a fluttering and a flapping and a screeching and a cawing so dreadfully terrifying that it was plain that Black Magic was afoot. Within moments the people of Qâf, shattered by the Ogres’ shrieks, began to crumble, to lose human form and become dumb animals – donkeys, marmosets, anteaters and, yes, bears – while Bulbul Dev cried, “Try to dance your golden dance now, fools! Try to jig your silver jigs! What you would not share, you have lost for ever, along with your humanity. Low, grubbing animals you will remain, unless – ha ha! – you steal the Fire of Life itself to set you free!” By which he meant, of course, that we would be trapped for ever, for the Fire of Life is no more than a story, and even in stories it is impossible to steal. So I became a bear – a dancing bear, yes, but a golden dancer no more! – and as a bear I wandered the world until Captain Aag caught me for his circus, and so, young master, I found you.’
It was just the sort of story Haroun would have told, thought Luka, a tall tale straight from the great Story Sea. But, when at last it was over, Luka was overcome by a strong feeling of disappointment.