the inventory of pots and pans, then she headed down a short hall. In the back was what seemed to be a staff room. Elena peeked in, flipped on the light, and jumped a foot when a body sat up on the cot. She gave an involuntary cry.
“Jesus,” said a grouchy voice.
The man was as lean as a sword, with springy hair pulled into a ponytail. He swung his feet to the floor and glared at her with very bloodshot, very vivid blue eyes. His long face was overly sensual, the mouth wide and full, the nose aggressive, his chin sporting the grizzling of a black beard.
“What the fuck are you doing?” he growled. Despite the foul words, his voice was stunning—dark and rich. He held a hand up against the light.
“I could ask you the same thing.”
“Sleeping. Or I was.”
“Maybe your house would be a better place to do that.”
He glared at her. “Don’t tell me—you’re the princess come to save the restaurant.”
“Princess? Hardly.” She crossed her arms, leaning against the threshold. “I am the chef Mr. Liswood hired.”
“Mr. Liswood?” he echoed. “You mean the big dick director?”
“You must be Ivan,” she said, and thought, Shit.
“Bingo.”
He looked at her, challenge in his eyes. She wondered what he expected her to do right now. “Why are you sleeping here, Ivan? Do you have housing issues?”
He snorted. “‘Housing issues.’ That’s rich. Is that how they teach you to talk out there in the big city?”
“Don’t be a dick. It’s an honest question.”
For a moment, he peered at her. Alcohol fumes came off him in waves, and the odor—human male sweat mixed with the specific bite of tequila—made Elena think of Espanola, of the men who would play poker in a garage set aside for the purpose. They all smelled like this the next morning, and if you were smart, you steered clear of them.
“Everybody has housing issues in Aspen, sweetheart,” he said, and even with all the sarcasm and nastiness, his voice was unruined—the velvety darkness of an orator. He pulled himself to his feet and paused, staring down at her, his shirt in his hands. He made her think of Rasputin with that long face, the intense blue eyes. She swung backward to let him pass, but only just enough.
He shot a look sideways as he went. “I’m the best cook that’s ever lived,” he said, and sauntered away, his back too thin, a tattoo of vines curling around his spine. A sense of brokenness, something lost, came to her, and she let it waft around in the air between them, the smoky purple of bruises. She smelled lemons. Lemon bars? Lemon meringue? No, not so sweet.
It would come to her.
“That would be impossible,” Elena replied, “because that title belongs to me.”
He turned, his mouth lifting on one side.
She said, “I’ll see you Friday.”
It startled him, but he covered with a nod, tossing his shirt over his shoulder as he headed out.
Elena stayed where she was. Trouble, trouble, trouble. Something cold walked down her spine, and she looked for her ghosts, but none were there, or at least, they did not show themselves. Shaking it off, she took a breath and turned off the light. “I need to cook,” she said in case they were listening. “Let’s go see the grocery stores.”
And then Isobel was there, wandering in from another room. “I wanted to see where he went from here,” she said. Her teenager hair was as glossy as fingernail polish. “That one is broken, I think. Be careful.”
Elena nodded.
“You need to call Mama,” Isobel said, putting a hand on the counter, admiring the space. “Dolores is sick.”
The usual thread of resistance spun itself around her spine. “I will. Later. Come on. Let’s go check out the stores.”
Kitchens were often the only safe place in Elena’s world, and when she needed to think or rest or feel centered, she headed right for the stove. This afternoon, she wanted to find out what kind of ingredients she could buy off the shelves here, what would have to be ordered.
As she headed toward the grocery store she’d found on MapQuest before leaving the apartment, she heard her sister’s nudge again, “Call Mama,” and knew she needed to do it. Mama, who was Maria Elena, was technically Elena’s grandmother. Technically, because her real mother had abandoned her, so Mama took the role.
Elena’s father, Roberto Alvarez, had gone into the Army during Vietnam. The second son of the family, all proud, poor farmers in